The windows of the Church, before the pillage and vandalism let loose upon it by the Reformation, were all of stained glass, of which several beautiful fragments have come down to us, as the head of St. Veronica in the chapel at the end of the north aisle, and the heads of the two angels in the south window of the chapel, on the south side of the Church. The Reformation, like all great upheavals, beneficent in themselves, led to the unchaining of the spirit of fanaticism and rapine. The spirit of liberty was fanned into a flame in France before the Revolution by the noblest and purest spirits in the country; yet who could blame them for the frenzied orgies of the Terror? The few fragments of fifteenth century glass were discovered with the bones and skulls of two almost complete skeletons in the walled-up staircase leading to the Rood Loft, in the north wall of the Church, at the time of the restoration in 1891. The probable solution seems that the Commissioners, who visited Breage 22nd April, 1549, to ascertain that the injunctions of Edward VI. were duly fulfilled, ordered the destruction of the windows, as containing figures of the Saints and emblems of idolatry. Possibly also stone tombs were destroyed and desecrated, partly in a spirit of iconoclasm, and partly from the spirit of plunder. We can imagine at this juncture some one more pious or superstitious than his fellows gathering the fragments of beautiful glass, and bones torn from their tombs within the Church, and placing them in the cavity of the broken stairway in process of being walled up.[28] The granite support of the Credence Table and the Piscina in the chancel were exhumed from the foundations of the Church during the restoration and placed in their original situation: also the rose Piscina and the pedestal on which it at present stands were unearthed at this time. The pedestal in question, it may be stated, has nothing whatever to do with the Piscina, the date of which is most probably coeval with the Church, but is evidently the base of a font of Jacobean origin. The granite bowl masquerading as a stoup in the porch is not of ecclesiastical origin at all; its original use was evidently for grinding corn in primitive times. It may be interesting to mention the discovery during the restoration, beneath the floor of the Church, near where the pulpit now stands, of six skeletons lying uncoffined side by side, the skulls of all of them being perforated with bullet wounds; the teeth in each skull were almost perfect, suggestive of violent and untimely deaths. The story of this tragedy has long since faded into oblivion; possibly these skeletons belonged to victims of some fierce act of military discipline or retaliation in the Parliamentary Wars.