The tales of those times correspond with the novels and historical romances of our own day, and served a purpose somewhat similar. Indeed they served a much higher purpose than the generality of our novels; for in conjunction with poetry they were the chief agency in education--education in the best sense of the word--a real healthful informing exercise for the intellect. They conveyed a knowledge of history and geography, and they inculcated truthfulness, manliness, help for the weak, and all that was noble and dignified in thought, word, and action. Along with this, the greater part of the history, tradition, biography, and topography of the country, as well as history and geography in general, was thrown into the form of verse and tales, so that the person who knew a large number of them was well educated, according to what was required in those times. Moreover, this education was universal; for, though few could read, the knowledge and recitation of poetry and stories reached the whole body of the people. This ancient institution of story-telling held its ground both in Ireland and Scotland down to a period within living memory. CHAPTER XI. HOW THE ANCIENT IRISH EXCELLED IN MUSIC. From the very earliest ages Irish musicians were celebrated for their skill, not only in their own country but all over Europe. Our native literature, whether referring to pagan or Christian times, is full of references to music and to skilful musicians, who are always spoken of in terms of the utmost respect. Everywhere through the Records we find evidences that the ancient Irish, both high and low, were passionately fond of music. It was mixed up with their daily home-life, and formed part of their amusements, meetings, and celebrations of every kind. In the religious tales music is always one of the delights of heaven; and a chief function of the angels who attend on God is to chant music of ineffable sweetness to Him, which they generally do in the shape of beautiful white birds. A good example of the people’s intense fondness for music is found in an old Irish religious poem, in which the hard lot of Adam and Eve for a whole year after their expulsion from Paradise is described, when they were--as the poem expresses it--“without proper food, fire, house, _music_, or raiment.” Here music is put among the necessaries of life, so that it was a misery to be without it. In the early ages of the Church many of the Irish ecclesiastics took delight in playing on the harp; and in order to indulge in this innocent and refining taste they were wont to bring with them, on their missionary journeys, a small portable harp, with which they beguiled many a weary hour after their hard work.