Termonde is guilty. He was, he is still passionate to the point of
violence; that is the first fact. He was madly in love with my mother;
that is a second fact. My father was painfully jealous of him; that was
a third fact. Here begins the uncertainty! Was M. Termonde aware of that
jealousy? Had he and my father had some of those silent scenes, after
which a man of the world is aware that the house of his friend, to whose
wife he is making love, is about to be closed to him? This supposition
would, I thought, be admitted without any difficulty. It was less easy
to understand the transition from that point to the fierce longing to be
rid of an obstacle which is felt to be for ever invincible; but yet the
thing is possible. At this stage of my analysis, I came in contact with
what I called the physical data of the crime. The false Rochdale
existed; this again was a fact. He had been seen by certain persons, who
had also heard him speak. He was waiting in a room at the Imperial
Hotel, while M. Termonde was at our table talking with us. For M.
Termonde to be guilty of the crime, it would be necessary to establish a
complicity between the two men; one of them, the false Rochdale, must
needs have been an instrument, a bravo hired to kill, for the advantage
of the other.
The exceptional character of this fresh hypothesis was too evident for
me to yield to it immediately; indeed, the first time the idea occurred
to me, I ridiculed myself mercilessly. I remembered my childish terror
and the many proofs I had had of my readiness and ingenuity in
confounding the imaginary with the real. How like my former self I still
was, how incapable of chasing away the phantoms which suddenly appeared
before me! In vain did I urge this upon myself, because it was no more
than an improbability that the false Rochdale should be bribed by M.
Termonde to murder my father; it was not an absolute impossibility. The
least reflection shows that in the matter of crime everything happens. I
then set to work to recall all the extraordinary stories of the Cour
d'Assises which I could remember. My imagination turned blood-colour,
like the horizon where the sun was setting. I reentered the house, I
dined, as I had breakfasted, all alone, and then I passed the evening in
the salon, silting where my mother had sat. So afraid was I of thought
that I asked Julie to rejoin me after her supper. The old woman settled
herself on a low Breton chair, in a corner of the hearth, and went on
with her knitting. Her needles flashed as they moved in and out amid the
brown wool of which she was fabricating a stocking, and her spectacles
gleamed in the firelight. Sometimes she worked on the whole evening
without uttering a word, with Boule-de-Poil, her favourite, purring at
her feet, and Pierrot, who was of a jealous disposition, rubbing his
head against her, and standing on his hind paws. At other times she
talked, answering my questions about my aunt. She repeated what I
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account