These few words were sufficient to show me that he had remarked the
singularity of my visit. Ought I to regret or to rejoice at this? He
was, then, already aware that I had some particular motive for coming;
but this very fact would give all their intended weight to my words. I
began by turning the conversation on an indifferent matter, talking of
the painter Lozano and a good picture of his which I knew, "A
Gipsy-dance in a Tavern-yard at Grenada." I described the bold
attitudes, the pale complexions, the Moorish faces of the gitanas, and
the red carnations stuck into the heavy braids of their black hair, and
I questioned him about Spain. He answered me, but evidently out of mere
politeness. While continuing to smoke his cigar, he raked the fire with
the tongs, and taking up one small piece of charred wood after another
between their points. By the quivering of his fingers, the only sign of
his nervous sensitiveness which he was unable entirely to keep down, I
could observe that my presence was then, as it always was, disagreeable
to him. Nevertheless he talked on with his habitual courtesy, in his low
voice, almost without tone or accent, as though he had trained himself
to talk thus. His eyes were fixed on the flame, and his face, which I
saw in profile, wore the expression of infinite weariness that I knew
well, an indescribable sadness, with long deep lines, and the mouth was
contracted as though by some bitter thought ever present. Suddenly, I
looked straight at that detested profile, concentrating all the
attention I had in me upon it, and, passing from one subject to another
without transition, I said:
"I paid a very interesting visit this morning."
"In that you are agreeably distinguished from me," was his reply, made
in a tone of utter indifference, "for I wasted my morning in putting my
correspondence in order."
"Yes," I continued, "very interesting. I passed two hours with M.
Massol."
I had reckoned a good deal on the effect of this name, which must have
instantly recalled the inquiry into the mystery of the Imperial Hotel to
his memory. The muscles of his face did not move. He laid down the
tongs, leaned back in his chair, and said in an absent manner:
"The former Judge of Instruction? What is he doing now?"
Was it possible that he really did not know where the man, whom, if he
were guilty, he ought to have dreaded most of all men, was then living?
How was I to know whether this indifference was feigned? The trap I had
set appeared to me all at once a childish notion. Admitting that my
stepfather's pulses were even now throbbing with fever, and that he was
saying to himself with dread: "What is he coming to? What does he mean?"
why, this was a reason why he should conceal his emotion all the more
carefully. No matter. I had begun; I was bound to go on, and to hit
hard--or cease to hit at all.
Public-domain text, read in full here on John Shaqi.
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