I opened an iron safe built into the wall, in which I kept papers which
I especially valued, and took out first the letters from my father to my
aunt which I had selected and placed on top of the packet. These were
the latest in date, and I held them out to him, just as I had arranged
them in their envelopes. The letters were addressed to "Mademoiselle
Louise Cornélis, Compiègne;" they bore the post-mark and the quite
legible stamp of the days on which they were posted in the April and May
of 1864. It was the former process over again. If M. Termonde were
guilty, he would be conscious that the sudden change of my attitude
towards himself, the boldness of my allusions, the vigour of my attacks
were all explained by these letters, and also that I had found the
documents among my dead aunt's papers. It was impossible that he should
not seek with intense anxiety to ascertain what was contained in those
letters that had aroused such suspicions in me? When he had the
envelopes in his hands I saw him bend his brows, and I had a momentary
hope that I had shattered the mask that hid his true face, that face in
which the inner workings of the soul are reflected. The bent brow was,
however, merely a contraction of the muscles of the eye, caused by
regarding an object closely, and it cleared immediately. He handed me
back the letters without any question as to their contents.
"This time," said he, simply, "there really is an astonishing
resemblance." Then, returning to the ostensible object of his
visit--"And the reviews?" he asked.
I could have shed tears of rage. Once more I was conscious that I was a
nervous youth engaged in a struggle with a resolutely self-possessed
man. I locked up the letters in the safe, and I now rummaged the small
bookcase in the smoking-room, then the large one in my study, and
finally pretended to be greatly astonished at finding the two reviews
under a heap of newspapers on my table. What a silly farce! Was my
stepfather taken in by it? When I had handed him the two numbers, he
rose from the chair that he had sat in during my pretended search in the
chimney-corner of the smoking-room, with his back to my father's
portrait. But, again, what did this attitude prove? Why should he care
to contemplate an image which could not be anything but painful to him,
even if he were innocent?
"I am going to take advantage of the sunshine to have a turn in the
Bois," said he. "I have my coupé; will you come with me?"
Public-domain text, read in full here on John Shaqi.
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