The Story of Anna Kingsford and Edward Maitland and of the new Gospel of InterpretationMaitland, Edward
Religion
The Story of Anna Kingsford and Edward Maitland and of the new Gospel of Interpretation
Maitland, Edward
Kingsford, Anna Bonus, 1846-1888; Mysticism
The allusion to Prometheus, and the fact that Hermes had been
represented in the Greek tragedy of that name as the executor of the
vengeance of the Gods upon Prometheus, as well also as the significance
of the fig-branch and the fact of its being the symbol of Hermes as the
Spirit of Understanding,--all these things were beyond her knowledge at
the time, some of them indeed having been long lost. But all were made
clear as our education for our work proceeded, and we learnt the
intention and recognised the necessity of restoring the Greek
presentment of the Sacred Mysteries in explanation of the Hebrew, and in
correction of the ecclesiastical presentment of Christianity. The
restoration was to be twofold, of faculty and of knowledge, the
knowledge to be recovered through the faculty by which it was originally
obtained. Hence the insistance on our adoption of the pure regimen of
the Seers of all time. Hence, too, the presentation to her by Hermes of
the fig-branch bearing ripe fruit. The parable of the cursing of the
barren fig-tree was explained to us as denoting the loss by the church
of the inward understanding, the Intuition. In the Seeress it was
restored; she was the appointed representative of it. The "time of the
end" was at hand, of the approach of which the budding of the fig-tree
was to be the sign. And here it was not merely budding and blossoming,
but bearing mature fruit to signify that in her the faculty was restored
in its perfection.
In an instruction subsequently given to me by her Genius, he said of
her, "I have fashioned a perfect instrument," implying that the process
of her preparation under his tuition had extended over numerous lives.
And again, "The Gods have given to their own a perfect ear."
Being desirous once to test the powers of a medium to whom she was
totally unknown even by name, she asked his controlling spirit about
herself and her faculty. "You are not a trance-medium at all!" the
spirit exclaimed in reply. "My medium is a trance-medium. You are far
beyond that. You are a spiritual lens. You are a mirror in which the
highest spirits--the Gods--can reflect their faces. You take the light
of the whole universe and divide it so that it can be understood, as it
has never been understood yet. Your gift is very extraordinary. You are
a glass to reflect the highest and the greatest to the world." This was
in 1877, before she was known in connection with the spiritual movement
of the age.
The description given of himself by Hermes as "the white cloud in the
noon-day sky," proved to be a quotation from an ancient ritual,
subsequently recovered by her, in which the "Hymn to Hermes"[33] opens
thus:--
As a moving light between heaven and earth: as a white cloud
assuming many shapes;
He descends and rises: he guides and illumines; he transmutes
himself from small to great, from bright to shadowy, from the
opaque image to the diaphanous mist.
Public-domain text, read in full here on John Shaqi.
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