So rarely in Italy is a church perfect both within and without that it
is with amazement we find at Assisi not one but two churches, choir
and nave piled above each other, and covered from roof to floor with
frescoes, as perfect of their kind as the buildings which they
decorate. Wars in every town, trouble, dissension and jealousies among
men, raged like a storm over the land, but all this turmoil of a
fevered age was unable to check the steady, rapid progress of at least
this monument to a dead saint's memory; and we perceive yet another
proof of the extraordinary influence of St. Francis, who was able by
the devotion and admiration he excited, to inspire all with some of
his own love of the beautiful, which has lasted in Italy, from the
days of his ministry, through centuries of both faith and unbelief
down to modern times. But from this arose a strange event; this lover
of solitude, who during his life sought only for humiliation and
obscurity and loved best the poor and deserted way-side sanctuaries,
was laid to rest in one of the most beautiful Italian churches of that
time.
[Illustration: THE LOWER CHURCH]
While wandering through the Lower Church, marvelling at the delicate
friezes of tiny heads, flowers and winged horses, which frame every
fresco; at the great spreading arches--built for strength; the vaulted
roof of deep azure blue with dull golden stars upon its surface,
looming above the paintings and dimming their brilliancy by the
shadows which lurk in its depth, we feel that within the shelter of
its perpetual twilight this is a place to pray in. It is truly the
home of St. Francis, and notwithstanding its richness and vast
splendour his spirit is here, the certainty that he once had dwelt
upon the earth is felt.
Public-domain text, read in full here on John Shaqi.
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