adapted for their use one already standing.[109] It is always pointed
out as the _Casa di Metastasio_, but his paternal dwelling is a less
interesting house, standing at the angle of Via S. Giacomo and Via S.
Croce, which can be reached from the Comacine Lodge by the steep
by-street of S. Andrea. Metastasio, though the Trapassi were Assisans,
had little to do with the town as his family were engaged in trade at
Rome, where he was born in 1698. There he was found improvising songs
to a crowd of wondering people by the celebrated Vincenzo Gravina, who
adopted and educated him. When set to music, Metastasio's poetry
brought all Rome to his feet and earned him the title of Cæsarean poet
from the Emperor Charles VI; he ended his life at the court of Vienna
as the favourite of Maria Theresa, honoured by all the great musicians
of the day. Truly he has little to do with Assisi, yet he must be
added to the list of her numerous illustrious citizens.
[Illustration: HOUSE OF THE COMACINE BUILDERS IN THE VIA PRINCIPE DI
NAPOLE]
Following the street by the Casa di Metastasio, we get into
delightful lanes above the town and reach another little
confraternity, the oldest of all, _San Rufinuccio_.[110] Its small
chapel, built of alternate layers of pink and white Subasian stone, is
a very characteristic example of an Umbrian way-side sanctuary, always
open in the olden days for the peasants to come into for rest and
prayer. It is worth a visit, not only because the way there is
beautiful, but also for the grand Crucifixion painted above the altar
by the decorator of St. Nicholas' Chapel in San Francesco. It is a
strong and splendid composition, which even much repainting has been
unable to destroy. Unfortunately the scenes at the sides can only just
be seen. Below, the half-length Madonna and angels by another artist
recall the Annunciation of S. Pietro, in the marked outline of their
pale faces and the rainbow colour of clothes and wings.
Public-domain text, read in full here on John Shaqi.
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