[57] This illustration is from a print to be seen in the somewhat rare edition of the _Collis Paradisi Amoenitas, seu Sacri Conventus Assisiensis Historiæ_, published in 1704 at Montefalco by Padre Angeli, and it may even have been taken from an earlier drawing. In it there is the true feeling of a franciscan convent, such as the saint hoped would continue for all time, and though there are some points which are incorrect (the Church of Sta. Chiara, though curiously enough not the convent, is represented, which was built several years later than San Francesco), we get a clear idea of both Assisi and its immediate neighbourhood. All the ancient gates of the town can be made out, the Roman road from Porta Mojano to San Rufino d'Arce, a faint indication of the path to the Carceri, and also the old road from Assisi to the plain out of the gate of S. Giacomo, passing not very far from the Ponte S. Vittorino. The wall round the Portiuncula and the huts did not exist in the time of St. Francis, which, together with the wooden gate, may have been added by Brother Elias. The largest hut a little to the right of the chapel was the infirmary where St. Francis died (now called the Chapel of St. Francis), and the one behind it was his cell (now known as the Chapel of the Roses, see chapter xi. for its story), whence he could easily pass out through the woods to San Rufino d'Arce hard by. [58] For fuller account see _The Mirror of Perfection_, translated by Sebastian Evans, caps. 107, 108, 112, and _The Little Flowers of St. Francis_, translated by J. W. Arnold (Temple Classics), chap. vi. CHAPTER IV _The building of the Basilica and Convent of San Francesco. The Story of Brother Elias_ "O brother mine, O beautiful brother, O brother of love, build me a castle which shall have neither stone nor iron. O beautiful brother, build me a city which shall have neither wood nor stone."--BEATO EGIDIO.