'Let me lie down there,' he said, pointing to a broken-down old sofa
that ran under the window. 'I'm lonesome somehow, an I've told Louisa.'
His white hair and whiskers stood out wildly round his red face. He
looked old and ill, and the sympathetic Bessie was sorry for him.
She made him a bed on the sofa, and he lay there all night, restless,
and sighing heavily. He missed Eliza more than he had done yet, and was
oppressed with a vague sense of unhappiness. Once, in the middle of the
night when all was still, he stole upstairs in his stocking feet and
gently tried the cupboard door. It was quite safe, and he went down
contented.
An hour or two later he was off, trudging to Frampton through the August
dawn, with his bundle on his back.
SCENE III
Some five months passed away.
One January night the Independent minister of Clinton Magna was passing
down the village street. Clinton lay robed in light snow, and 'sparkling
to the moon.' The frozen pond beside the green, though it was nearly
eight o'clock, was still alive with children, sliding and shouting. All
around the gabled roofs stood laden and spotless. The woods behind the
village, and those running along the top of the snowy hill, were meshed
in a silvery mist which died into the moonlit blue, while in the fields
the sharpness of the shadows thrown by the scattered trees made a marvel
of black and white.
The minister, in spite of a fighting creed, possessed a measure of
gentler susceptibilities, and the beauty of this basin in the chalk
hills, this winter triumphant, these lights of home and fellowship in
the cottage windows disputing with the forlornness of the snow, crept
into his soul. His mind travelled from the physical purity and hardness
before him to the purity and hardness of the inner life--the purity that
Christ blessed, the 'hardness' that the Christian endures. And such
thoughts brought him pleasure as he walked--the mystic's pleasure.
Suddenly he saw a woman cross the snowy green in front of him. She had
come from the road leading to the hill, and her pace was hurried. Her
shawl was muffled round her head, but he recognised her, and his mood
fell. She was the wife of Isaac Costrell, and she was hurrying to the
'Spotted Deer,' a public-house which lay just beyond the village, on the
road to the mill. Already several times that week had he seen her going
in or coming out. Talk had begun to reach him, and he said to himself
to-night, as he saw her, that Isaac Costrell's wife was going to ruin.
Public-domain text, read in full here on John Shaqi.
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