In those days, when an author desired to make known a work, he would
read it aloud to an invited party of friends. This reading of original
compositions became in time a common item of the programme provided by a
host for the entertainment of his guests, and it is not difficult to
imagine that such a custom was often subjected to grave abuse, from the
guests' point of view. Later, the private reading developed into the
public lecture. Lectures of this kind became very frequent in Rome, and
we are told that it was looked upon as a sort of festival when a
fashionable author announced a reading. But we are also told that some
of the audience often treated a lecturer of mediocre merit with scant
courtesy, entering late and leaving early, and frequently they who
applauded most were those who had listened least. The public reading is
recorded of a poem composed by Nero. It was read to the people on the
Capitol, and the manuscript, which was written in letters of gold, was
afterwards deposited in the temple of Jupiter Capitolinus.
If a work happened to attract attention by reason of its author's
reputation or its own merit, it was copied by students or others who had
heard and admired it. This was the only way in which literary
productions could be dispersed and made known to the public at large, or
a collection of books be gathered together. As the literary taste
developed, those who were sufficiently wealthy kept slaves whose sole
business it was to copy books, which books might be either the original
works of their master, who by this means disseminated his compositions,
or the works of others, for the benefit of their master's library.
These slaves, being of necessity well educated and skilful scribes, were
purchased at high prices and held in great esteem by their owners. But
obviously it was only the rich who could command such service, and
ordinary folk had to resort to the bookseller.
The booksellers of Athens and Rome were those who made copies of books,
or employed slaves to make them, and sold or let them on hire to those
who had need of them. The author had no voice in these matters. There
was nothing to prevent anyone who borrowed or otherwise got possession
of his work from making copies of the manuscript if he chose, and making
money from the copies if he could. "Copyright" was a word unknown in
those days, and for centuries after. The booksellers advertised their
wares by notices affixed to the door-posts of their shops, giving the
names of new or desirable works, and sometimes read these works aloud to
their friends and patrons. Their shops were favourite places of resort
for persons of leisure and literary tastes.
Public-domain text, read in full here on John Shaqi.
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