The book family is a very old and a very noble one, and has rendered
great service to mankind, although, as with other great houses, all its
members are not of equal worth and distinction. But since books are so
common nowadays as to be taken quite as matters of course, probably few
people give any thought to the long chain of events which, reaching from
the dim past up to our own day, has been necessary for their evolution.
Yet if we look round on our bookshelves, whether we measure their
contents by hundreds or by thousands, and consider how mighty is the
power of these inanimate combinations of "rag-paper with black ink on
them," and how all but limitless their field of action, it is but a step
further to wonder what the first books were like. Given the living,
working brain to fashion thoughts and create fancies, to whom did it
first occur to write a book, what language and characters and material
did he use, when did he write, and what did he write about? And although
these questions can never be answered, an attempt to follow them up
will lead the inquirer into many fascinating bye-ways of knowledge. It
is not, however, the purpose of these pages to deal at length with the
ancient history of the _manuscript_ book, but, after briefly noticing
the chief links which connect the volumes of to-day with primeval
records, to present to the reader a few of the many points of interest
offered by the modern history of the _printed_ book.
* * * * *
=The Beginning of Writing.=--Books began with writing, and writing began
at the time when man first bethought himself to make records, so that
the progenitor of the beautiful handwriting and no less beautiful print
of the civilised world is to be looked for in the rude drawing which
primeval man scratched with a pointed flint on a smooth bone, or on a
rock, representing the beast he hunted, or perhaps himself, or one of
his fellows. The exact degree of importance he attached to these
drawings we cannot hope to discover. They may have been cherished from
purely æsthetic motives, or they may have served, at times, a merely
utilitarian end and acted, perhaps, as memoranda. However this may be,
these early drawings are the germs from which sprang writing, the parent
of books, and liberator of literature, that great force of which a book
is but the vehicle. How these drawings were gradually changed into
letters, in other words, the story of the alphabet, has been already
told in this series by Mr Edward Clodd, and therefore we need not deal
further with the subject here.
Public-domain text, read in full here on John Shaqi.
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