as a journeyman tailor, in politics he is a social democrat, and if you
were to ask him his religion, he would tell you that he was a _libre
penseur_, but the woman who loves him is sick and believes, and he has
slunk in here to put up a taper for her in honour of the 'Salus
infirmorum,' the old man with trembling limbs and palsied head, who is
painfully making the way of the Cross, was in his day a dashing spark
who could make women's hearts throb and sometimes broke them. He has
drunk to the dregs of the joys of life and experienced the after-taste,
but all this is ancient history; he has long ago made his peace with
God, and is quietly waiting now for the great metamorphosis. And there
are children too, not many--for the neighbourhood is one of theatres,
cafés, public buildings--ragged urchins some of them, with bare feet and
pinched faces. The streets outside are cold and wet, or they are hot and
dusty, and where else should these waifs seek shelter but in their
Father's house?
Such are the devotees who frequent this mysterious shrine; and the
visible objects of their devotion--the likenesses of the ghosts who
haunt it, are no less varied than are they. Some of them are Neo-Gothic
conceptions of the school of Saint Luke--tall, emaciated figures with
gilded locks and pale, meek faces; others are of the time of the
Renaissance, and are full-blooded, fleshy, human; others again are as
old perhaps as the church itself, and these are the most interesting.
For how many centuries, for example, has the 'Man of Sorrows' sat by the
western doorway silently asking of those who enter, 'Is it nothing to
you, all ye that pass by?' A strangely pathetic figure this. The
sculptor who modelled it must have had this text in his mind, 'There is
no beauty in Him,' and this, 'The Lord has placed upon His shoulders the
iniquity of us all.' The statue is of carved wood painted after life,
but time and maybe the flare of tapers have rendered it almost black. It
is quite nude save for a loin cloth, but someone, perhaps scandalised at
this, has thrown a mantle of purple velvet now faded and moth eaten,
over the shoulders. A relic is let into the instep of the left foot,
which is defaced and partly worn away by the lips of innumerable
troubled souls who have found consolation in their own sorrows by
pitying the sorrows of Christ. For the rest, the church is not without
charm from an æsthetic point of view--the axis of the choir is probably
more decidedly inclined to the north-east than that of any other church
that the visitor will call to mind: this and the divers styles of
architecture in which it is built renders it at least picturesque.
Moreover, though the stained glass which once glowed in its windows has
long since disappeared, and though whitewash and plaster have effaced
the frescoes and carving with which its walls were formerly adorned, the
interior is still bathed in glowing tints: it is rich in old oak
Public-domain text, read in full here on John Shaqi.
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