This church, dedicated to Saint Nicholas, patron saint of burghers and
merchants, and situated on the fringe of the Great Market, hard by their
Town Hall and Guild-houses, has been, from time immemorial, the
distinctive church of the bourgeoisie, in the same way that Saint
Jacques sur Coudenberg has always been the distinctive church of the
Court. Its life is bound up with the life of the city. It is the cradle
of its liberties. Its hopes, its struggles, its victories, its defeats
are intimately associated with it. In this church the city fathers were
wont to assemble in the early days when they had no town hall. Its
steeple was the town belfry--we say advisedly _was_, for it exists no
more--home of the 'work-clock,' which every morning called the craftsman
to his toil and in the evening sounded his release; and of the shrill
tocsin, which in days of terror summoned him to arms, and when he had
triumphed shouted victory. Here, too, in a lower storey, was the archive
chamber where were laid up the records and the title-deeds--the charters
which the town had bought at such great cost of blood and gold. Thrice
burnt down and thrice rebuilt, until the close of the seventeen
hundreds, this ancient tower was the pride and the glory of the men of
Brussels, who regarded it as the outward and visible sign of their
privileges as citizens and their rights as men. Nor is this all, the
Church of Saint Nicholas is possessed of a mysterious power of
attraction. Why men should single out this particular church in
preference to all others is a question hard to answer. There is no
ostensible reason for it: it is not the shrine of some great and popular
saint, no famous relics are treasured here, nor miraculous image or
picture. They are drawn to it in spite of themselves. Wherefore, who
shall say? Enter when you will, it is never without worshippers, and
what a motley throng they are! Of course that sex which the breviary so
quaintly and aptly styles devout is the most in evidence. Women in
shoals are there--women of every age and every complexion, all sorts and
conditions of women: from the _grande dame_ of ancient date, demure,
aloof, dowdy, who, to her very rosary beads, is invested with an air of
distinction, to the market-woman with her milk cans or her basket of
fresh vegetables; from the fashion plate of the _demi monde_, perfumed
and painted, to the snuffy crone in foul rags, who in the same breath
asks an alms and tells her chaplet. And the men, if there be fewer of
them, are no less heterogeneous--that sleek, smug-faced tradesman is
trying a deal with Saint Anthony, he has made him an offering and
promised more if only he will promote his undertakings; the youth in
glorious apparel is commending, perhaps, to Saint Joseph an affair of
the heart, or--who can tell?--perhaps he has a thorn in the flesh of
which he would fain be rid; the shabby, middle-aged, sallow-faced wreck
who stands before '_Onze Lieve Vrouw_,' works, when he is not too drunk,
Public-domain text, read in full here on John Shaqi.
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