With things in this plight the men of Louvain were in no position to
saddle themselves with such a vast and costly undertaking as the
reconstruction of their church. It was not till half a century later
that they had the courage even to think of it, and then they made up
their minds to act, and to act boldly. It happened thus. The founding of
the University in 1421 had heralded, as all men believed, a new era. The
issue showed they were not mistaken. Trade at once began to revive, and
when the burghers had tasted the first-fruits of the harvest they
dreamed that the Golden Age had returned, and forthwith determined to
rebuild their church in such fashion that its splendour should dim the
sheen of the noblest buildings of Brabant. This must have been somewhere
about 1424, certainly not later, for in that year Plysis van Vorst was
named 'master-mason of the new Church of Saint Peter.'
Although no document has as yet been discovered which states in so many
words that Van Vorst drew up the plans of the new building, it may be
safely said that he did so. We know that he was held at Louvain to be
the first architect of his day, that the burghers desired that their new
church should be second to none in the duchy, that they expressly
summoned him from Diest, his native town, to superintend the building
operations, and that he continued to do so till his death, which took
place some fifteen years later. Van Vorst was a man of humble origin.
Starting in life as a mason's labourer, mixing mortar and carrying
bricks, he presently became a mason himself, and rapidly rose to the
head of his profession; and when, in 1418, the burghers of Diest
determined to rebuild their ancient Church of Saint Plysis it was
unanimously decided that the work could be put in no better hands than
those of 'Meester Van Vorst.' Their confidence was not misplaced: the
noble structure which Plysis designed for them, and at which he laboured
for twenty years--it was completed by his pupil Matthew de Layens, of
whom later on--is undoubtedly one of the most beautiful specimens of
Brabant work which has come down to us. To visit Diest were a day well
spent, if only for the sake of this grand old building, which is adorned
without with ancient statuary, and within with a wealth of stained-glass
windows, some as old as the church itself, some of the following
century, and some of the sixteen hundreds.
Public-domain text, read in full here on John Shaqi.
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