At last the eventful day arrived. Quite a number of people came to see
us go. Chili led me from my stable to what he called a box-car at the
railway station. It had padded ends and sides so that, when the train
bumped while the cars were being switched, or at the starting or
stopping of the train, I could not get hurt. I am free to confess I
didn’t like the idea of going into the car at first and both my master
and Chili had to persuade me before I went in.
When the train started I didn’t like it at all, and I was uneasy for a
few days whenever we were on the train, but Chili was always there, and
he kept telling me there was nothing to be afraid of, so as I had
learned to trust him, I soon stopped worrying, and _I have never worried
since_. Some people tell me that in that regard I learned to be wiser
than a great many humans, who ought to know that worrying does no good
and yet they still go on doing it. How I pity such people that they
don’t have a little bit of simple _horse-sense_.
By and by I learned, as we traveled, to look out of the window and see
what there was outside. What a lot of wonderful things I saw. Of course
we kept stopping, sometimes for a week, then for only a day or two, and
we gave exhibitions all the time, the people coming in large numbers to
see me. They all wondered how my good master had succeeded in training
and educating me so well. Then sometimes they came up and petted me, and
the girls and women, and even the boys and men, kissed me on the nose,
and said such nice and flattering things to me. I enjoyed it ever so
much, for I like people to like me. And of course, my master never
forgot to give me a carrot, or an apple, or a cookie, when I did well,
so that he said I grew “fatter and saucier every day.”
My very first public appearance and performance was in the lobby of the
Sherman House, in Chicago, in August, 1913, at the Engineers’
Convention. I went from there to the Great Northern Hippodrome, where I
stayed for a whole week. Then we started and took the complete circuit
of the Miles Theaters, starting from Chicago and going to New York one
way, and returning to Chicago another way. I enjoyed it very much, and
made lots of friends on that first trip.
When we got back to Chicago it was late in the fall of 1914, and my
master told me we were not going to work any more publicly for several
months, as he wanted to get me ready for the Panama-Pacific
International Exposition at San Francisco, that was to open on the 20th
of February, 1915. That great big long name made me nervous at first—I
wondered what it meant. But by listening to my master and Chili talking
I soon learned that it was a great and wonderful “show,” in honor of the
completing of the Panama Canal that united the Atlantic and the Pacific
Oceans, and they called it “International” because all the nations of
the earth were invited to take part in it.
Public-domain text, read in full here on John Shaqi.
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