At first Master was inclined to be mad, but Mistress laughed him out of
it, and said why shouldn’t I like birthday cake as well as he. She’d
make another, and even if she couldn’t, she would buy one. Then she put
the rest of the cake away, and every day for another week I had a chance
again to celebrate Master’s birthday.
Do I ever get ugly-tempered?
I think I can truthfully answer that I do not show temper very often. I
must confess, however, that now and again I am not as well-dispositioned
as I generally am. Sometimes I feel a little out of sorts, and then I
act up just as a naughty boy or girl does. I want my Master to hurry up
my performance and let me get away, and I bungle and stumble and do the
very thing I ought not to do. When I feel like this and have to pick out
the colors, I grab the cloth viciously, and sometimes deliberately take
the wrong one, or slam the drawer of the cash-register, and when it
comes to playing the chimes it is too funny the way I find myself
acting. When I reach the last few notes I hit them one after another as
fast as I can, and then run around the stage to show Master I am
impatient to get away. I suppose boys and girls get that way in school
sometimes. Anyhow that is what Master and some of the people who come to
see me say, and I can well believe it, for there is not so much
difference between my actions and those of boys and girls, if people
could only understand them aright.
One day Jasper brought a pigeon into the stable. I heard him say a lady
had given it to him. We soon became the best of friends. The pigeon
would coo to me and come onto my feeding rack, and I would nuzzle up to
her and whinney. She flies about me and lights on my head and struts up
and down my neck and back, and I just enjoy it. We often go to sleep
together, I with my head close up against the pigeon, she snuggling
close to my soft nose. I feel so much better now that I have so nice a
companion. I am not so nervous when I hear strange footsteps, or just
before we are going to have a show.
Public-domain text, read in full here on John Shaqi.
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