Surely the vast nave with its gloomy spaces is filled with the ghosts of
forgotten worshippers, and it thrills with the unheard echoes of
unanswered prayers. It is melancholy with the records of perverted faith
and false enthusiasm, and it is magnificent with the chanted hopes of
the faithful and the undying promises of the Risen Lord. The blood of
martyrs and the blood of infidels cries aloud from those stones which
once resounded with the fiery exhortations of a crusading monk or of a
fanatic preaching the extermination of the Jews and the persecution of
the Huguenots.
Here knights have kept their vigil and watched by their armour on the
eve of a Crusade, and here many a young squire after his night watch by
the altar, clothed in vestments of white linen that symbolised his moral
purity, has been struck on the shoulder with the consecrated sword and
made ‘a knight in the name of the Father, the Son and the Holy Ghost.’
Hither, again, courtier pilgrims have brought with them the perfume of
Paris, and Norman peasants the odour of the fields. Here many a penitent
Magdalen has poured out her soul in contrite supplication. Here, too,
the hand of the sacrilegious destroyer has wrought its vile work, and
yet failed to leave more than a few blots and stains upon the mighty
fabric reared by mediæval faith.
You may close your eyes and imagine that you are present at a Mass of
old days--a Mass of the dead--a silent Mass, at which no sound escapes
from the lips of the praying, and no tinkle comes from the bell that is
vainly shaken. Kings do penance before the sacred altar, knights in
chain armour kneel and take the sign of the cross; noble lords, clad in
velvet and brocade, with plumes in their hats and swords at their sides,
carry in their hands tall canes, with golden knobs, and bow to great
dames with powdered hair, who hide behind their fans lovely faces
powdered, painted, patched. And in the aisles a crowd of youthful
artisans, in brown jerkins, dimity breeches, and hose of blue, stand
beside young women with rosy cheeks and downcast eyes. Elsewhere peasant
women, in their old skirts and laced bodices, sit tranquil, whilst
upright, behind them, their young lovers shift their legs and twist
their hats in their fingers, gazing open-eyed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account