Was this Anianus that S. Aignan who founded the church which now bears
his name; the S. Aignan who, with his three sisters, Donda, Monda,
Ermenonda, endowed it, and was buried in the ancient crypt of that
church?[16] On his tomb there was formerly to be read this couplet:--
‘Corpus in his cryptis Aniani præsulis olim
Carnutum recubat, spiritus astra colit.’
(The body of Aignan, once Bishop of the Chartrains, lies in this crypt:
his soul is in Heaven.) The crypt (restored sixteenth century) and the
windows of this church are well worth seeing. The lower windows have
nine of them sixteenth-century[17] glass, and nine of them nineteenth
century, chiefly by Lorin of Chartres, whose _atelier_ is in the
picturesque Rue de la Tannerie. The upper windows are chiefly
seventeenth-century heraldic. The church was often burnt down in the
Middle Ages, and for the last time in the sixteenth century.
The architecture is therefore in the style of the Renaissance, though
the main entrance belongs to the fourteenth century. The small entrance
on the left of the façade is pleasing. The church was sacked during the
Revolution and all its artistic treasures stolen. The building itself
was used as a magazine, a prison and a military hospital till 1822, when
it was restored to religious use by private generosity. The painfully
unsuccessful polychrome decorations perpetrated by M. Boeswilwald make
it impossible to remember the interior with any pleasure. Perched, as it
seems, in the air, the exterior, beheld from the boulevards and bridges
south-west of the town, forms, with S. Père and the Cathedral, one of
the most prominent features of the most unforgettable view of Chartres.
But the tower is destitute of grace, and the building, as a whole,
devoid of any beauty of form.
If the nave were worthy of the apse and crypt, it would be another
matter, and S. Aignan would be worthy of its place between S. Père and
Notre-Dame. Approach it from the Rue Saint-Pierre by the steps of
Saint-François, and the east end of the church with the enormous
buttresses which support it, and the massive buttressed walls of the
street which hold up the old parish cemetery, now the garden of the
_Presbytère_, give you the impression of a mighty fortress frowning
above you. But seen from a distance this effect is lost.
There is a legend in connection with this church worth recounting.
Public-domain text, read in full here on John Shaqi.
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