On the morning of the Corpus Christi festival, before the Mystery Plays were acted, another procession of the crafts, more strictly religious in character than those we have described, also took place. Following the train of companies of traders and artificers came the members or priests of the Trinity guild bearing the Host, the various religious bodies of the city probably walking behind the Sacrament. The Corpus Christi guild provided gorgeous vessels, wherein the consecrated elements were placed, and four burgesses hired by the fraternity carried a canopy of costly material over the same, while the effect of the religious ceremonial was heightened by banner and crucifix coming from the treasuries of the guilds. A pageant setting forth scenes in the life of the Virgin, the Annunciation, which, on account of its mystical meaning, was highly appropriate to the occasion, and the Assumption also figured in the train, and the records of the Corpus Christi guild show the payments made to the persons who represented S. Gabriel bearing the lily,[653] the Virgin with a crown of great price upon her head, the twelve apostles, including S. Thomas of India, eight virgins, S. Margaret and S. Catherine. And the smiths caused the actor who was to represent Herod in their pageant to ride on horseback in a gorgeously painted coat in the procession. After this portion of the festival was over, the craftsfolk set forth the famous plays or pageants, whereof the fame filled Coventry from time to time with royal and noble visitors, and all the good folk of the surrounding country. Henry V. in 1416, Margaret of Anjou in 1457, Richard III. in 1485, Henry VII. in 1487, and again with his Queen, Elizabeth of York, in 1493,[654] witnessed these shows, which in the fifteenth and early sixteenth centuries were at the height of their popularity.