It was in 1323 that the townsfolk sought, after a very novel fashion,
to rid themselves of their oppressors. Their enemies accused them,
whether truly or untruly we cannot tell, of having recourse to the
black art, and strange rumours were afloat concerning the unlawful
dealings of the citizens with one Master John de Nottingham, limb
of Satan and necromancer, who inhabited a ruinous house in the
neighbourhood of the town. Witchcraft was not then considered an
ecclesiastical offence, but one against the common law, and it was,
it seems, before the Court of King's Bench that the approver, Robert
le Mareshall, told his story. He had been living, he said, with one
Master John de Nottingham, necromancer, of Coventry. To whom, on the
Wednesday next before the feast of S. Nicholas, in the seventeenth
year of the King's reign, came certain men of the town, citizens of
good standing, and promised them great profit--to the necromancer,
£20, and "his subsistence in any religious house in England,"[111] and
to Robert le Mareshall, £15--if they would compass the lives of the
King and others by necromancy. Having received part of the promised
payment as earnest at the hands of John le Redclerk, hosier, and John,
son of Hugh de Merington, apprentice of the law, with seven pounds of
wax and two yards of canvas, the magicians began their work. On the
Sunday after the feast of S. Nicholas they fashioned seven magical
images in the respective likenesses of Edward II., with his crown,
the elder and younger Despenser, Prior Henry, Nicholas Crumpe, his
steward, the cellarer of the convent, and Richard Sowe, probably one
of the priory underlings who had made himself unpopular. As far as the
last-named enemy upon the list was concerned--for upon him they chose
to experiment "to see what might be done with the rest"--they were
entirely successful. On the Friday before the feast of the Holy Rood
about midnight John de Nottingham gave his helper, Robert le Mareshall,
a leaden bodkin, with command to thrust it into the forehead of the
figure of Richard Sowe. The effect was well-nigh instantaneous. When
the necromancer sent Robert on the morrow to inquire how Richard did,
the messenger found him crying "Harrow," and mad as mad could be. And
on the Wednesday before the Ascension, John having on the previous
Sunday removed the bodkin from the forehead of the figure and thrust it
into its heart, Richard Sowe died.[112]
Meanwhile the necromancer and the accused gave themselves up in court,
consenting to plead before a jury. All, save the necromancer, were
admitted to bail.[113] He no doubt looked to receive no mercy, and
when after sundry delays the trial came on, the marshal certified that
Master John de Nottingham was dead. Another of the accused, Piers
Baroun, who had been a burgess at the Parliament of 1305,[114] died
also during the interval.
Public-domain text, read in full here on John Shaqi.
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