From its narrowness and bareness it seemed a prison, and no comparison could be found for the scarcity of its furniture; its triangular shape and massive walls, on which could be seen the remains of torn-down tapestry, luxurious gilt cornices, and carved, vaulted ceiling, suggested, as in reality was the case, the corner of a sumptuous room which, for convenience or by caprice, had been cut off by a partition. In the centre of this partition rose an altar of dark wood, without other images or adornments than a life-sized crucifix; the pallid limbs of the Christ stood out with imposing realism against the dark background; the dying head was bowed, and its agonised gaze fixed itself, with a gentle expression of mercy and sorrow, on those who knelt beneath it. In the opposite corner was one of those carved fifteenth-century cupboards, of so much value now, but of so little then; it was open, and in its depths were to be seen many and terrible instruments of penitence and a few books of prayer; leaning against the wall was a shut-up folding seat, the only one, and the only piece of furniture to be seen in this curious room; a great silver lamp glowed in front of the altar, and by its light could be vaguely seen the outline of a strange figure, which was moving on the ground on the frozen stones, giving vent to deep groans and dis-jointed words. Little by little the light began to filter through the narrow, arched window which pierced one of the walls, and then the solitary personage could be plainly seen; he was old, with a pronounced aquiline nose, a white beard fell on his chest, and he was so spare and decrepit, that it might have been said of him as St. Theresa said of St. Peter Alcantara, "That he seemed made of the roots of trees." He was wrapped in a big black cloak, underneath which a kind of white gown showed. He was prostrate before the altar, on the cold stones, and was writhing like a feeble worm, at times leaning his bald head on the ground, at others raising his withered arms towards the crucifix, with a movement of love and anguish, like a sorrowful child who craves the help of its father; then could be seen the big gold ring with a great seal which moved up and down on his finger as if it were threaded on a dried-up vine branch. It was full daylight before the old man finally abandoned his lowly position and somewhat arranged the disorder of his dress, which was none other than the habit of a Dominican monk, whose wide folds seemed only to heighten his tall figure. With a firm step he went to a little door in the partition, almost hidden by the altar, and through it went into the adjoining room. This was a sumptuous octagonal oratory, whose altar was exactly in front of the one in the miserable room where the old man prayed, so that the rich silver cibary which enclosed the Blessed Sacrament on the altar of the front room corresponded with the feet of the crucifix in the back one. There was only one picture on this