John, of Austria, 1547-1578; Spain -- History -- Philip II, 1556-1598
magnificent altar, an artistic marvel: the celebrated Madonna of Fra
Angelico, known as the "Salus Infirmorum." On the Gospel side there was
a rich canopy of cloth of gold, with faldstool and cushions covered with
the same; and in a line in front of the altar there were four other
faldstools covered with brocade, where four prelates were praying; they
wore white rochets over their purple cassocks, and stoles embroidered at
the neck. On the brilliantly lighted altar could be seen everything
arranged that was necessary for celebrating the Holy Sacrifice of the
Mass. As the old man entered the oratory, the four prelates rose at once
and bowed low before him, because this old man, who a few seconds before
was moaning like a feeble child, and writhing on the ground before the
crucifix like a vile worm, was no less a person than Christ's Vicar on
earth; called then in the chronology of Roman Pontiffs Pope Pius V, now
in the calendar of saints, St. Pius V.
The Pope knelt under the canopy and buried his wrinkled forehead in his
thin fingers for a long while; then at a sign from him the four prelates
approached and began to robe themselves in the sacred vestments to
celebrate the Holy Sacrifice of the Mass. The Pope was celebrant, with
solemn slowness and deep devotion, although nothing revealed to the
outside world the depth of his internal emotions.
But on reaching the Gospel of St. John an extraordinary thing happened;
he began to read it slowly, pausing, and marking all the words, as one
who understands and appreciates its deep meaning, and suddenly, with his
face strange and transfigured, and in a voice which was not his own, he
said these words: "Fuit homo missus a Deo, cui nomen erat Joannes!"
(There was a man sent from God, whose name was John.) He paused for a
minute, turned his face towards the Virgin, gazing into space, as if
seeing celestial visions, and repeated in a questioning, humble,
submissive, loving tone, like a child asking his mother, "Fuit homo
missus a Deo, cui nomen erat Joannes?" and in his natural voice, firm,
strong, and decided, he repeated, for the third time, "Fuit homo missus
a Deo, cui nomen erat Joannes."
Public-domain text, read in full here on John Shaqi.
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