The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
The trouble is, however, that I feel that I have something to say, and a
man that has something to say, and is not allowed to say it, is (like a
woman or a boiler) in danger. Nor has my native land, when I come to
think of it, the right to exact of me that I burst, to save a beggarly
sapling or so from purification.
7.
Yes, I have something to say, and I’ll out with it. For I have hit upon
a plan whereby I can print my book with the merest infinitesimal damage
to the Mississippi and other patriotic streams. It is this. I shall have
but one copy printed. This, in a strong box, hermetically sealed, shall
be addressed to you. I shall hand it to my eldest son, and he to his;
and so it will travel down the stream of time till it reach you; which
strikes me as a neat, inexpensive, and effectual way of reaching that
goal of all authors, posterity. From father to son, and from grandson to
great-grandson.
Provided, of course, they shall all have the courage (as I intend to
have) to get married. If not—or what would become of the book, should
there be twins?—but I leave these details to take care of themselves.
One of them might not live, for example.
On second thought, though, it might be as well to have two copies struck
off; yes, and while we are about it, a dozen extra ones, for private
distribution among my friends.
8.
And one friend, especially, but for whom this nonsense would not now be
bubbling up so serenely from my tranquil soul.
9.
I have just had a conversation with my publisher, which greatly disturbs
me.
He tells me that all this talk about limiting the edition to a dozen
copies is midsummer madness,—where am I to come in? said he, using the
language of the period,—and that he intends to print as many copies as
he pleases. So everything is upset. And I shall have to recast my entire
work, which, you must know, is already, with the exception of this first
chapter, finished and ready for the printer, down to the last semicolon.
For, as it stands, my boy, everything I say is addressed to you only;
and my book may be compared to a telephone with a private wire three
hundred years long. But since my publisher is going to give the general
public the right to hook on and hear what I am saying, it is extremely
probable that my monologue will be very often interrupted. Whenever,
therefore, you find me suddenly ceasing to speak to you personally, and,
after a word with my contemporaries, dropping back to our private wire,
you may be sure that there has been a “Hello?” and a “Who’s that?” and a
“Well, good-by!” somewhere along a cross-line.
10.
And this is the thing that I feel that I have to say:
Public-domain text, read in full here on John Shaqi.
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