The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of lifeDabney, Virginius
History
The story of Don Miff : $b as told by his friend John Bouche Whacker: a symphony of life
Dabney, Virginius
Richmond (Va.) -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
“P-p-p-pass me the tobacco.” He filled his pipe very deliberately and
walked across the room. “Where do you keep your matches? Ah, here they
are. Who,” added he, striking one—“puff—do you—puff, puff—think
so—puff, puff, puff—bright? Confound the thing!—puff—puff—it has
gone out!” And he struck another. Lighting his pipe, and throwing
himself upon a lounge, he looked the picture of content.
“Say, old boy,” said I, “own up. Those hazel eyes—”
“Do you know, Jack-Whack” (whenever he called me that he was in the best
possible humor), “that you are making a howling ass of yourself?” And he
shot a pillar of smoke straight towards the ceiling, following its
eddying curves with contemplative eyes.
“‘Howling ass’ is a mixed metaphor.”
“Yes, but an unmixed truth, my boy. Did it ever occur to you, Jack,”
said he, removing the Powhatan pipe, with its reed-root stem, from his
lips, “that cigars are essentially vulgar? You never thought of it? But
they are. So are dress-coats. You have only to put them into marble to
see it. Look at the statue of Henry Clay in the Square. Was ever
anything so absurd! Posterity will inevitably regard Henry as an ass.”
“Of the howling variety?”
“Of course. Now, just picture to yourself Phidias’ Jove with a cigar
stuck into his mouth.”
Charley shot upwards a circling wreath of smoke, watched it till it
dissipated itself, and then turned his head, with a little jerk, towards
me: “H’m? How would the Olympian Zeus look with a Parian Partaga between
his ambrosial lips?”
“I have seen lips that—”
“Howling and so forth.” And he turned over on his back and commenced
pulling away at his pipe.
“I think she likes you.”
Charley pursed up his mouth, and, taking aim, with one eye, at a spot on
the ceiling, projected at it a fine-spun thread of smoke. I detected a
tremor in his extended lips.
“I may say I know she likes you.”
With an explosive chuckle the pucker instantly dissolved. I had taken
him at a disadvantage. His features snapped back into position as
suddenly as those of a rubber mask.
“I was thinking,” said he, “how great a solace and bulwark a pipe would
have been to Socrates, during his interviews with Xantippe,—and it made
me smile.”
“Yes,” said I, carelessly.
“_Yes!_” said he, rising up on his elbow,—“what do you mean by ‘yes’?”
“I merely meant to agree with you, that a pipe would have been a great
solace and bulwark to Socrates during his interviews with Xantippe.”
He fell back on the lounge. “Let’s go to bed,” said he.
“Good!” said I; and I began to remove my coat. “So the Don is to leave
the Carters to-morrow and go to his own quarters.”
“Yes,” said he, rising from the lounge. “I like that chap.”
That was a great deal for Charley to say. It was the very first
expression of his sentiments towards the Don.
“I am glad you do,” said I; “I thought you did.”
Public-domain text, read in full here on John Shaqi.
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