The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
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The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
“Let me get at ’em, whether they are served with doilies or
bath-towels!” cried the recumbent figure, recumbent no longer. “Call the
ladies. Ho, for the festive board. If you don’t want scraps only, you
had better not let me get there first. Notify the ladies. Does this vast
mansion possess nothing that is like a dinner-bell, or a gong, or a
whistle, that may make a cheerful sound of summons. Ha, ha, ha!”
“It compromises on something like the crackling of thorns under a pot,”
said Floyd-Rosney, sourly. Then with gracious urbanity, “Major, let me
give you my arm, perhaps our presence at the festive board may hasten
matters.”
The ladies had already surged out into the great, bare, echoing hall,
Hildegarde Dean, freshly arrayed in an Empire gown, as blue as her eyes,
protesting that she was as hungry as a hunter. Ducie offered his arm
ceremoniously to her mother, and Floyd-Rosney, who had intended his
attention to the old blind Major as a bid for his wife’s notice and
approval, was not pleased to see the procession, stately and suggestive,
by reason of the lordly expansiveness of the place, headed by the heir
of the old owners in the guise of host. It was an idea that never
entered Ducie’s mind, not even when whetting the carving knife on the
steel in anticipation of dispensing shares of the saddle of mutton from
his end of the table. At this table, in truth, his grandfather had sat,
and his great-grandfather also, and dispensed its bounty. So heavy it
was, so burdensome for removal, that in the various disasters that had
ravaged the old house, war and financial ruin, marauders and tramps,
wind and rain, lightning and overflow, it had endured throughout.
Mahogany was not earlier the rage as now, and the enthusiasm of the
up-to-date man could scarcely be restrained. There were no chairs;
planks from the flooring elsewhere had been hastily stretched benchwise
on the boxes that had held the provisions and bedding, but even this
grotesque make-shift did not detract from his keen discernment of the
admirable in the entourage. The size and shape of the room, the
old-fashioned bow-window, the ornate mantel-piece, the cabinets built
into the walls for the silver and choice show of old china, now without
even a shelf or a diamond-shaped pane of glass, the design of the paper,
the stucco ornaments about the chandelier, or rather the rod which had
once supported it, for the pendants had been dismembered in wanton
spoliation and now lay in fragments on the lawn without, the pantry, the
china-closet, the storeroom contiguous all came in for his
commendation, and much he bewailed the grinning laths looking down from
the gaps in the fallen plaster, the smoke-grimed walls, the destroyed
hearth, half torn out from the chimney-place. The stream of his talk was
only stemmed by the reappearance of the cook, now with his white jacket
and apron in the rôle of waiter. Every eye was turned apprehensively
Public-domain text, read in full here on John Shaqi.
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