The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
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The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
shanty-boater, the moon in its revolutions, and when the nights were
wild the wind seemed to issue thence as from a lair of mysteries.
Paula suddenly turned from the revelation, and gathering the lustrous
white skirt of her crêpe dress, freshly donned, in one jewelled hand
with a care unconsciously dainty, as was her habit, she noiselessly
slipped up the great dusty spiral of the stair leading to the third
story, lest curiosity induced some exploring intrusive foot thus far,
ere she had thought out her perplexity to its final satisfaction. She
was aware that the day dulled and darkened suddenly; she heard the wind
burst into gusty sobs; the clouds had fallen to weeping anew, and the
night was close at hand. She was curiously incongruous with the place as
she stood looking upward, the light upon her face, at a great rift in
the roof. The rain-drops dripped monotonously from smaller crevices down
upon the floor with a sort of emphasis, as if the number were registered
and it kept a tally. There were doubtless divisions and partitions
further to the rear, but this apartment was spacious above the square
portion of the mansion, and the ceiling had a high pitch. She thought
for a moment that they might have danced here in the old times, so fine
were the proportions of the place. Then she remembered that third-story
ball-rooms were not formerly in vogue, and that she had heard that the
one at Duciehurst was situated in the west wing on the ground floor.
This commodious apartment must have been a place of bestowal. The walls
betokened the remnants of presses, and she could almost fancy that she
could see the array of trunks, of chests, of discarded furniture, more
old-fashioned than that below, the bags of simples, of hyacinth bulbs
which were uprooted every second year to be planted anew. There was an
intensification of the spirit of spoil manifested elsewhere as if the
search for the hidden treasure here had been more desperate and radical.
The chimneys seemed to have been special subjects of suspicion, for
several showed that the solid masonry had been gouged out, leaving great
hollows. As she stood amidst the gray shadows in her lustrous white
crêpe gown with the shimmer of satin from its garniture, she was a
poetic presentment, even while engrossed in making the prosaic deduction
that here was the reason these chimneys smoked when fires were kindled
below.
Public-domain text, read in full here on John Shaqi.
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