The Story of Duciehurst: A Tale of the MississippiCraddock, Charles Egbert
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The Story of Duciehurst: A Tale of the Mississippi
Craddock, Charles Egbert
Mississippi River -- Fiction
The solitude was intense, the silence an awesome stillness, her
thoughts, recurring to her own sorry fate, were strenuous and troublous,
and thus even her strong, elastic young physique was beginning to feel
very definitely the stress of fatigue, and excitement, and fear, that
had filled the day as well as the effects of the emotional crisis which
she had endured. She found that she could scarcely stand; indeed, she
tottered with a sense of feebleness, of faintness, as she looked about
for some support, something on which she might lean, or better still,
something that might serve as a seat. Suddenly she started forward
toward the window near the outer corner of the room. The low sill was
broad and massive in conformity with the general design of the house,
and she sank down here in comfort, resting her head against the heavy
moulding of the frame. Her eyes turned without, and she noted with a
certain interest the great foliated ornaments, the carved acanthus
leaves of the capitals of the Corinthian columns, one of which was so
close at hand that she might almost have touched it, for the roof of the
portico here, which had been nearly on a level with the window, was now
in great part torn away, giving a full view of the stone floor below.
This column was the pilaster, half the bulk of the others, being
buttressed against the wall. The size of the columns was far greater
than she had supposed, looking at them from below, the capitals were
finished with a fine attention to detail. The portico was indeed an
admirable example of this sort of adapted architecture which is usually
distinguished rather by its license than its success. But she had scant
heart to mark its values or effect. Her reflections were introspective.
She looked out drearily on the wan wastes of the skies, and the somber
night closing in, and bethought herself of the woeful change in the
atmosphere of her soul since the skies last darkened. She said to
herself that illusions were made for women, who were not fitted to cope
with facts, and that it was better to be a loving fool, gulled into the
fancy that she, too, is beloved, than to see clearly, and judge justly,
and harbor an empty aching heart. For there was no recourse for her. It
was not in her power to frame her future. Her husband had, and he knew
he had, the most complete impunity, and doubtless this gave him an
assurance in domineering that he would not otherwise have dared to
exert. He was cognizant of her delicate pride, the odium in which she
would hold the idea of publicity in conjugal dissension. She would never
have permitted, save under some extreme stress like that of the single
instance of the morning, others to look in upon a difference between
them, yet there had been from the first much to bear from his
self-absorbed and imperious temper, and she had borne it to the extent
of self-immolation, of self-extinction. In fact, she was not, she had
not been for years, herself.
Public-domain text, read in full here on John Shaqi.
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