The Story of Dutch PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Dutch Painting
Caffin, Charles H. (Charles Henry)
Painting, Dutch
These few circumstances represent practically all that is known of Frans
Hals’s life as a man. The main suggestion to be derived from them is
that he was held in considerable esteem by his fellow-townsmen. The
painters enrolled him in their guild; his creditor did not unduly press
him, and the municipality attended to the needs of his declining years.
It is fit to dwell on these points, because a tradition, apparently
started by Houbraken, the painter-historian of the artists of the
period, has clung about the memory of Hals, representing him to have
been a frequenter of pot-houses and generally dissolute. But, except for
the reprimand administered to him in the affair of his first wife, there
is nothing on record to prove the accuracy of this tradition. One is
therefore permitted to believe that the incident was a single offense;
sufficiently reprehensible, but not to be counted against his whole
life. On the other hand, the leniency of the baker and the relief voted
by the municipality may be fairly taken as arguments against the story
of his worthlessness. But the most reliable evidence of its falsity is
to be found in his work as an artist. It is inconceivable that the
portraits and character studies which he executed in such numbers could
have been produced by a man whose brain was fuddled with dissipation.
The very character of his technique gives the lie to such a suspicion;
for, as we shall see presently, it was the product of a particularly
vigorous comprehension of facts, and was rendered in a method
extraordinarily direct and sure, and often under circumstances of great
rapidity. While his work is uneven in quality, it is only toward the end
that there is a falling off in the certainty and the completeness of his
technique. But the pathos that attaches to the two memorable examples of
this decline, which now hang in the Haarlem Museum, the groups of male
and female _Regents of the Hospital for the Poor_, is due to their
revelation, not of any premature loss of power, but of the sapping of
vitality which comes after fourscore years.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account