The Story of Dutch PaintingCaffin, Charles H. (Charles Henry)
History
The Story of Dutch Painting
Caffin, Charles H. (Charles Henry)
Painting, Dutch
That monarch, born in Ghent and educated in Flanders, had a special
feeling of regard for his “dear Netherlanders.” Incidentally, they were
the richest jewel in the imperial crown, and he had drawn from them
annually two fifths of the enormous revenue that he squandered in wars
of ambition elsewhere. He had, moreover, proved his love for them by
systematic slaughtering of dissenters, that the remnant might be
preserved within the fold of the Catholic Church. It was Brussels,
therefore, that he selected as the scene of his abdication. Formerly the
capital of the Dukes of Burgundy, it had been under imperial rule the
seat of government of the vice-regents of the Netherlands; a city of
royal and princely palaces, immediately surrounded by parks and
game-forests, and fields and gardens, teeming with opulence; the royal
center of a group of cities. Of these Antwerp was the commercial chief,
the greatest emporium of trade in Europe, with an exchange in which five
thousand merchants daily congregated, and a port where five hundred
vessels daily made their entrance or departure. It was the
distributing-point for the imports from the East and for the products of
the Netherlands: textiles of most sumptuous fabrics as well as of plain
cloths and linens, works of gold and silver craftsmanship, agricultural
and dairy produce from the rich polders of the northern provinces, and
fish from a hundred thriving towns and villages along the coast.
So when the emperor, enfeebled by excesses of action and appetite, felt
his grip of power slackening, and determined to transfer this people of
three million souls, the most industrious, versatile, and liberty-loving
in the world, from his own pocket to that of his son, he saw to it that
the proceeding should be conducted with a pageantry of ceremonial worthy
of the occasion.
Public-domain text, read in full here on John Shaqi.
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