As we saw in the first chapter, the universe has the word evolution written, literally, in letters of fire across it. The stars are of all ages, from sturdy youth to decrepit age, and even to the darkness of death. We saw that this can be detected on the superficial test of colour. The colours of the stars are, it is true, an unsafe ground to build upon. The astronomer still puzzles over the gorgeous colours he finds at times, especially in double stars: the topaz and azure companions in beta Cygni, the emerald and red of alpha Herculis, the yellow and rose of eta Cassiopeiae, and so on. It is at the present time under discussion in astronomy how far these colours are objective at all, or whether, if they are real, they may not be due to causes other than temperature. Yet the significance of the three predominating colours--blue-white, yellow, and red--has been sustained by the spectroscope. It is the series of colours through which a white-hot bar of iron passes as it cools. And the spectroscope gives us good ground to conclude that the stars are cooling. When a glowing gas (not under great pressure) is examined by the spectroscope, it yields a few vertical lines or bars of light on a dark background; when a glowing liquid or solid is examined, it gives a continuous rainbow-like stretch of colour. Some of the nebulae give the former type of spectrum, and are thus known to be masses of luminous gas; many of the nebulae and the stars have the latter type of spectrum. But the stretch of light in the spectrum of a star is crossed, vertically, by a number of dark lines, and experiment in the laboratory has taught us how to interpret these. They mean that there is some light-absorbing vapour between the source of light and the instrument. In the case of the stars they indicate the presence of an atmosphere of relatively cool vapours, and an increase in the density of that atmosphere--which is shown by a multiplication and broadening of the dark lines on the spectrum--means an increase of age, a loss of vitality, and ultimately death. So we get the descending scale of spectra. The dark lines are thinnest and least numerous in the blue stars, more numerous in the yellow, heavy and thick in the red. As the body of the star sinks in temperature dense masses of cool vapour gather about it. Its light, as we perceive it, turns yellow, then red. The next step, which the spectroscope cannot follow, will be the formation of a scum on the cooling surface, ending, after ages of struggle, in the imprisonment of the molten interior under a solid, dark crust. Let us see how our sun illustrates this theory.