Shortly before his death he had lost his favourite son,
Giovanni; and had been carried through his palace, in the Via Larga,
sighing that it was now too large a house for so small a family.
Entitled by public decree _Pater Patriae_, he was buried at his own
request without any pompous funeral, beneath a simple marble in front
of the high altar of San Lorenzo.
[Illustration: THE BADIA OF FIESOLE]
Cosimo was succeeded, not without some opposition from rivals to the
Medici within their own party, by his son Piero. Piero's health was in
a shattered condition--il Gottoso, he was called--and for the most
part he lived in retirement at Careggi, occasionally carried into
Florence in his litter, leaving his brilliant young son Lorenzo to act
as a more ornamental figure-head for the State. The personal
appearance of Piero is very different to that of his father or son; in
his portrait bust by Mino da Fiesole in the Bargello, and in the
picture by Bronzino in the National Gallery, there is less craft and a
certain air of frank and manly resolution. In his daring move in
support of Galeazzo Maria Sforza, when, on the death of Francesco, it
seemed for a moment that the Milanese dynasty was tottering, and his
promptness in crushing the formidable conspiracy of the "mountain"
against himself, Piero showed that sickness had not destroyed his
faculty of energetic action at the critical moment. He completely
followed out his father's policy, drawing still tighter the bonds
which united Florence with Milan and Naples, lavishing money on the
decoration of the city and the corruption of the people. The
opposition was headed by Luca Pitti, Agnolo Acciaiuoli, Dietisalvi
Neroni and others, who had been reckoned as Cosimo's friends, but who
were now intriguing with Venice and Ferrara to overthrow his son.
Hoping to eclipse the Medici in their own special field of artistic
display and wholesale corruption, Luca Pitti commenced that enormous
palace which still bears the name of his family, filled it with bravos
and refugees, resorted to all means fair or foul to get money to build
and corrupt. It seemed for a moment that the adherents of the Mountain
(as the opponents of the Medici were called, from this highly situated
Pitti Palace) and the adherents of the Plain (where the comparatively
modest Medicean palace--now the Palazzo Riccardi--stood in the Via
Larga) might renew the old factions of Blacks and Whites. But in the
late summer of 1466 the party of the Mountain was finally crushed;
they were punished with more mercy than the Medici generally showed,
and Luca Pitti was practically pardoned and left to a dishonourable
old age in the unfinished palace, which was in after years to become
the residence of the successors of his foes. About the same time
Filippo Strozzi and other exiles were allowed to return, and another
great palace began to rear its walls in the Via Tornabuoni, in after
years to be a centre of anti-Medicean intrigue.
Public-domain text, read in full here on John Shaqi.
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