No one knows how long he lay there; but there was still life in him when
the daughter of the minister of Broby came running along the road with a
lantern in her hand, and found him in the drift by the roadside. She had
stood for hours and waited for him; now she had run down Broby hill to
look for him.
She recognized him instantly, and she began to shake him and to scream
with all her might to get him awake.
She must know what he had done with her meal-bag.
She must call him back to life, at least for so long a time that he could
tell her what had become of her sledge and her meal-bag. Her father would
kill her if she had lost his sledge. She bit the beggar’s finger and
scratched his face, and at the same time she screamed madly.
Then some one came driving along the road.
“Who the devil is screaming so?” asked a harsh voice.
“I want to know what this fellow has done with my meal-bag and my
sledge,” sobbed the child, and beat with clenched fists on the beggar’s
breast.
“Are you clawing a frozen man? Away with you, wild-cat!”
The traveller was a large and coarse woman. She got out of the sleigh and
came over to the drift. She took the child by the back of the neck and
threw her on one side. Then she leaned over, thrust her arms under the
beggar’s body, and lifted him up. Then she carried him to the sleigh and
laid him in it.
“Come with me to the inn, wild-cat,” she called to the child, “that we
may hear what you know of all this.”
* * * * *
An hour later the beggar sat on a chair by the door in the best room of
the inn, and in front of him stood the powerful woman who had rescued him
from the drift.
Just as Gösta Berling now saw her, on her way home from the charcoal
kilns, with sooty hands, and a clay-pipe in her mouth, dressed in a
short, unlined sheepskin jacket and striped homespun skirt, with tarred
shoes on her feet and a sheath-knife in her bosom, as he saw her with
gray hair combed back from an old, beautiful face, so had he heard her
described a thousand times, and he knew that he had come across the
far-famed major’s wife of Ekeby.
She was the most influential woman in all Värmland, mistress of seven
iron-works, accustomed to command and to be obeyed; and he was only a
poor, condemned man, stripped of everything, knowing that every road was
too heavy for him, every room too crowded. His body shook with terror,
while her glance rested on him.
She stood silent and looked at the human wretchedness before her, the
red, swollen hands, the emaciated form, and the splendid head, which even
in its ruin and neglect shone in wild beauty.
“You are Gösta Berling, the mad priest?” she said, peering at him.
The beggar sat motionless.
“I am the mistress of Ekeby.”
Public-domain text, read in full here on John Shaqi.
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