But the lake is not content with this life of play; it draws itself
together to a narrow strait, breaks its way out through the sand-hills to
the south, and seeks out a new kingdom for itself. And such a one it also
finds; it gets larger and more powerful, has bottomless depths to fill,
and a busy landscape to adorn. And now its water is darker, its shores
less varying, its winds sharper, its whole character more severe. It has
become a stately and magnificent lake. Many are the ships and the rafts
of timber which pass there; late in the year it finds time to take its
winter rest, rarely before Christmas. Often is it in peevish mood, when
it grows white with wrath and drags down sailing-boats; but it can also
lie in a dreamy calm and reflect the heavens.
But still farther out into the world will the lake go, although the
mountains become bolder and space narrower; still farther down it comes,
so that it once again must creep as a narrow strait between sand-bound
shores. Then it broadens out for the third time, but no longer with the
same beauty and might.
The shores sink down and become tame, gentler winds blow, the lake takes
its winter rest early. It is still beautiful, but it has lost youth’s
giddiness and manhood’s strength—it is now a lake like any other. With
two arms it gropes after a way to Lake Vänern, and when that is found it
throws itself with the feebleness of old age over the slopes and goes
with a last thundering leap to rest.
The plain is as long as the lake; but it has no easy time to find a place
between sea and mountain, all the way from the valley of the basin at the
lake’s northern end, where it first dares to spread itself out, till it
lays itself to easy rest by the Vänern’s shore. There is no doubt that
the plain would rather follow the shore of the lake, long as it is, but
the mountains give it no peace. The mountains are mighty granite walls,
covered with woods, full of cliffs difficult to cross, rich in moss and
lichen,—in those old days the home of many wild things.
On the far-stretching ridges one often comes upon a wet swamp or a pool
with dark water. Here and there is a charcoal kiln or an open patch where
timber and wood have been cut, or a burnt clearing, and these all bear
witness that there is work going on on the mountains; but as a rule they
lie in careless peace and amuse themselves with watching the lights and
shadows play over their slopes.
And with these mountains the plain, which is peaceful and rich, and loves
work, wages a perpetual war, in a friendly spirit, however.
“It is quite enough,” says the plain to the mountains; “if you set up
your walls about me, that is safety enough for me.”
Public-domain text, read in full here on John Shaqi.
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