What then? Probably she would sit down with them and empty a bumper. She
is a doughty woman; she’s not afraid of a thundering drinking-song or to
take a hand at _kille_.[1] The richest woman in Värmland, as bold as a
man, proud as a queen. Songs she loves, and sounding fiddles, and the
hunting-horn. She likes wine and games of cards, and tables surrounded
by merry guests are her delight. She likes to see the larder emptied, to
have dancing and merry-making in chamber and hall, and the bachelors’
wing full of pensioners.
See them round about the bowl! Twelve are they, twelve men. Not
butterflies nor dandies, but men whose fame will not soon die out in
Värmland; brave men and strong.
Not dried-up parchment, nor close-fisted money-bags; poor men, without a
care, gentlemen the whole day long.
No mother’s darlings, no sleepy masters on their own estates. Wayfaring
men, cheerful men, knights of a hundred adventures.
Now for many years the bachelors’ wing has stood empty. Ekeby is no
longer the chosen refuge of homeless gentlemen. Pensioned officers and
impoverished noblemen no longer drive about Värmland in shaky one-horse
vehicles. But let the dead live, let them rise up in their glad,
careless, eternal youth!
All these notorious men could play on one or several instruments. All
were as full of wit and humor and conceits and songs as an ant-hill is
full of ants; but each one had his particular great quality, his much
esteemed merit which distinguished him from the others.
First of all who sit about the bowl will I name Beerencreutz, the colonel
with the great white moustaches, player of cards, singer of songs; and
next to him, his friend and brother in arms, the silent major, the great
bear hunter, Anders Fuchs; and, as the third in order, little Ruster,
the drummer, who had been for many years the colonel’s servant, but had
won the rank of pensioner through his skill in brewing punch and his
knowledge of thorough-bass. Then may be mentioned the old ensign, Rutger
von Örneclou, lady-killer, dressed in stock and wig and ruffles, and
painted like a woman,—he was one of the most important pensioners; also
Christian Bergh, the mighty captain, who was a stalwart hero, but as
easy to outwit as a giant in the fairy story. In these two men’s company
one often saw the little, round Master Julius, witty, merry, and gifted,
speaker, painter, songster, and storyteller. He often had his joke with
the gout-crippled ensign and the dull giant.
Public-domain text, read in full here on John Shaqi.
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