There certainly never was such a boy to take in everything around him,
and to remember what he saw. With mind alert for all that was to be
learned he tagged along at Mr. Cabot's heels drinking in and storing
away every scrap of history and of beauty which came across his path.
And in Paris he found much of both. The Invalides with the tomb of
Napoleon; Notre Dame with its odd gargoyles; the Arc de Triomphe; the
Bois; and the Champs-Elysees shaded by pink horse-chestnut trees--all
these sights were new and marvelous to the Italian lad. But it was
Versailles with its gardens that charmed him and Jean most.
The travelers arrived there on a Sunday, when the fountains were
playing, flowers blooming everywhere, and a gay crowd of sightseers
thronging the walks. It was like fairy-land. The great Neptune fountain
sent into the air a sheet of spray which was quickly caught up by the
sunlight and transformed into a misty rainbow. Within the palace, amid
old tapestries of battles and hunting scenes, and surrounded by
paintings and statues, were the famous early French mirrors of which
Giusippe had previously spoken.
Mr. Cabot pointed them out, half playfully, half seriously.
"Perhaps on further consideration I will leave them," returned the boy,
falling in with the spirit of the elder man's mood. "They seem to fit
the spaces, and I doubt if even our Venetian mirrors could look better
here."
"I think it might be just as well," answered Mr. Cabot. "Besides, you
must remember that those mirrors were not the only sort of glass the
French made. There were many enamel workers at Provence as early as
1520, and later much cast glass instead of that which is blown came
from France. In fact, up to a hundred years ago the French held the
plate glass monopoly. Then England took up glass-making and cut into
the French market--the same old story of stealing the trade, you see.
In addition to other varieties of glass-making some of the finest and
most interesting of the old stained glass was made by the French
people, and can now be seen in the church of St. Denis, just out of
Paris, and at Sainte Chapelle which is within the city itself.
Fortunately the glass at St. Denis escaped the fury of the French
revolutionists, as it might not have done had it not been at a little
distance from Paris. There is also glass of much the same sort at
Poitiers, Bourges, and Rheims. Amiens, too, has wonderful glass
windows. I hope before we leave for home we shall have a peep at some
if not all of these."
"Isn't much beautiful French glass now made at Nancy, Mr. Cabot?"
Giusippe inquired.
"Yes, some of the finest comes from there."
"But didn't any other people beside the Venetians and the French make
glass, Uncle Bob?" asked Jean, much interested.
Public-domain text, read in full here on John Shaqi.
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