Accordingly they hunted up the Gold Room where the vase stood.
Jean was very proud that she was able to point it out before she had
been told which one it was.
"You see," explained she shyly, "it is so much like the Naples Vase
that I recognized it right off."
It was indeed of the same dark blue transparent glass, and had on it
the same sort of delicate white cameo figures.
"This vase," Mr. Cabot said, "was found about the middle of the
sixteenth century enclosed in a marble sarcophagus in an underground
chamber which was located two and a half miles out of Rome. It was
taken to the Barbarini Palace, but later the princess of that noble
family, wishing to raise money, sold it to Sir William Hamilton, who
chanced to be at that time the English ambassador to Naples. From him
it passed to the Duchess of Portland, and at her death was sold at
auction to the new Duke of Portland. That is the way it got its name.
Now the Duke, desirous of putting his precious purchase in a safe
place, and also wishing to allow others to enjoy it, lent it to the
British Museum. Imagine his horror and that of the Museum authorities
when in 1845 a lunatic named Lloyd, who saw it, viciously smashed it to
pieces."
His hearers gasped.
"To see it you would not dream that it had ever been broken, would you?
Yes, it has been so carefully mended that no one could tell the
difference. It was this vase which the English potter, Wedgwood,
coveted so intensely that he bid a thousand pounds for it; the Duke of
Portland outbid him by just twenty-nine pounds. He was, however, a
generous man, and when at last the vase was his he allowed Wedgwood to
copy it. This took a year's time, and even then the copy was far less
beautiful than was the original. Many copies of it have been made
since, but never has any one succeeded in making anything to equal the
vase itself. You will see copies of it in almost all our American
museums."
"I mean to see when I get home if there is a copy of it in Boston,"
Jean remarked.
"You will find one at the Art Museum. And now while we are here there
is still that other famous vase which I mentioned once before and which
I should like to have you see. It is not, perhaps, as fine as the
Naples or the Portland, but it is nevertheless one celebrated the world
over. Like the Naples Vase it came from Pompeii, and like the Portland
Vase it has been skilfully mended. It is called the Auldjo Vase."
Uncle Bob was not long in finding where this treasure stood. It was
small--not more than nine inches in height, and like the other two was
of the familiar blue transparent glass with a white cameo design cut
upon it. Instead of having a Grecian decoration, however, the pattern
was of vines, leaves, and clusters of grapes.
Public-domain text, read in full here on John Shaqi.
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