"Make yourselves ready, oh ye glass-makers," said he one morning at
breakfast. "I find after telephoning to the office that I am not needed
to-day; therefore, the moment we have swallowed these estimable griddle
cakes of Hannah's we will hie us forth to instruct Jean in the art of
manufacturing vases, bottles, tumblers and the various sorts of
glassware."
The two young people greeted the suggestion with pleasure.
"Can you really get away to-day, Uncle Bob?" cried Jean. "What fun
we'll have!"
"I think it will be fun. We must, however, make Giusippe captain of the
expedition for he is the one who really knows glass-making from
beginning to end, and can answer all our questions."
"I think I might in Murano," returned the Venetian modestly, "but that
is no sign that I can do it here; your process may differ from the one
we use at home."
"Oh, I do not believe so--at least, not in essentials," Mr. Cabot
answered.
So they started out, and before they had proceeded any distance at all
they got into a spirited debate over the tiny lights of glass set in
the top of the electric car. The panes were of ground glass dotted with
an all-over pattern of small stars which had been left transparent.
"How did they make the stars on that glass?" was Jean's innocent
question. "Did they scratch off the thick surface and leave the design
of clear glass?"
"No indeed," Mr. Cabot replied. "On the contrary they started with the
stars and then made the background cloudy."
"But I don't see how they could."
"Do you, Giusippe?"
"I am afraid not, senor."
"Good! At last there is one fact about glass-making that I can impart
to you. This sort of glass is known as sand-blast glass, and the art of
making it, they say, chanced to be discovered near the seashore. It was
found that when the strong winds rose and blew the sand against glass
window-panes of the houses the small particles, being sharp, cut into
the glass surface, and before long wore it to a cloudy white through
which it was impossible to see out. Often the glass fronts of
lighthouses were injured in this way and the lights dimmed. Finally
some man came along who said: 'See here! Why not turn this grinding
effect of the sand to some purpose? Why not apply it to transparent
glass and make it frosted so one can get light but not see through it?
Often such glass would be a convenience.' Therefore this inventor set
his brain to the task. Strong currents or streams of sand were directed
against a clear glass surface with such force that they cut and ground
it until it was no longer transparent. They called the product thus
made sand-blast glass. Later they improved upon it by laying a stencil
over it so that a desired design was covered and remained protected
from the sand blast. The result was a pattern such as you see--clear
figures set in a background of clouded glass."
"How interesting!"
Public-domain text, read in full here on John Shaqi.
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