Marriage -- Fiction; Runaway husbands -- Fiction; Social settlements -- Fiction; Women -- Fiction
In summer the rear parlour that was Mrs. Page's bedroom was a rather dim
and dreary place; such light as it had fell through one long, high
window that gave only upon a narrow air shaft; it was only in mid-July
that the actual sunlight--a bright and fleeting triangle--touched the
worn red carpet and the curly-maple bed. In winter the window gave
almost no light at all. Julia dressed by gaslight ten months out of the
year, and had to sit up in her warm blankets and stare at the clock on a
certain January morning in her fifteenth year, to make sure whether it
said twenty minutes of eleven or five minutes of eight o'clock. It was
five minutes of eight--no mistake about it--but eight o'clock was early
for the Pages, mother and daughter. Julia sighed, and cautiously
stretched forth an arm, a bare, shapely little arm, with bangles on the
round wrist and rings on the smooth fingers, and picked a book from the
floor. Cautiously settling herself on the pillows she plunged into her
novel, now and then pushing back a loose strand of hair, or bringing her
pretty fingernails close to her eyes for an admiring and critical
scrutiny.
An hour passed--another hour. The clock in the front room struck a
silvery ten. Then Julia slammed her book noisily together, and gave a
sharp push to the recumbent form beside her.
"Ah--no--darling!" moaned Mrs. Page, tortured out of dreams.
"Don't--Julie--"
"Aw, wake up, Mama!" the daughter urged. Whereupon the older woman
rolled on her back, yawned luxuriously, and said, quite composedly:
"Hello, darling! What time is it?"
Emeline had aged in seven years; she looked hopelessly removed from
youth and beauty now, but later in the day, when her hair would be taken
out of its crimping kids, her sallow cheeks touched with rouge, and her
veined neck covered by a high collar, a coral chain, and an
ostrich-feather ruff, some traces of her former good looks might be
visible. She still affected tight corsets, high heels, enormous hats.
But Emeline's interest in her own appearance was secondary now to her
fierce pride and faith in Julia's beauty. Drifting along the line of
least resistance, asking only to be comfortable and to have a good time,
Emeline had come to a bitter attitude of resentment toward George,
toward the fate that had "forced" her to leave him. Now she began lazily
to fasten upon Julia as the means of gratifying those hopes and
ambitions that were vain for herself. Julia was beautiful, Julia would
be a great success, and some day would repay her mother for the
sacrifices she had made for her child.
Emeline dressed, went about, flirted, and gossiped still; she liked
cocktails and cards and restaurant dinners; she was an authority on all
things theatrical; her favourite pose was that of the martyred mother.
"All I have left," Emeline would say, kissing her daughter effectively,
before strangers. "And only God knows what it has cost me to keep my
girlie with me!"
Public-domain text, read in full here on John Shaqi.
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