Produced by Charles Aldarondo, Tiffany Vergon, Michelle
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THE STORY OF KENNETT
By Bayard Taylor
PROLOGUE.
TO MY FRIENDS AND NEIGHBORS OF KENNETT:
I wish to dedicate this Story to you, not only because some of you
inhabit the very houses, and till the very fields which I have given to
the actors in it, but also because many of you will recognize certain of
the latter, and are therefore able to judge whether they are drawn with
the simple truth at which I have aimed. You are, naturally, the critics
whom I have most cause to fear; but I do not inscribe these pages to you
with the design of purchasing your favor. I beg you all to accept the
fact as an acknowledgment of the many quiet and happy years I have spent
among you; of the genial and pleasant relations into which I was born,
and which have never diminished, even when I have returned to you from
the farthest ends of the earth; and of the use (often unconsciously to
you, I confess,) which I have drawn from your memories of former days,
your habits of thought and of life.
I am aware that truth and fiction are so carefully woven together
in this Story of Kennett, that you will sometimes be at a loss to
disentangle them. The lovely pastoral landscapes which I know by heart,
have been copied, field for field and tree for tree, and these you will
immediately recognize. Many of you will have no difficulty in detecting
the originals of Sandy Flash and Deb. Smith; a few will remember the
noble horse which performed the service I have ascribed to Roger; and
the descendants of a certain family will not have forgotten some of the
pranks of Joe and Jake Fairthorn. Many more than these particulars are
drawn from actual sources; but as I have employed them with a strict
regard to the purposes of the Story, transferring dates and characters
at my pleasure, you will often, I doubt not, attribute to invention that
which I owe to family tradition. Herein, I must request that you will
allow me to keep my own counsel; for the processes which led to the
completed work extend through many previous years, and cannot readily be
revealed. I will only say that every custom I have described is true
to the time, though some of them are now obsolete; that I have used no
peculiar word or phrase of the common dialect of the country which I
have not myself heard; and further, that I owe the chief incidents of
the last chapter, given to me on her death-bed, to the dear and noble
woman whose character (not the circumstances of her life) I have
endeavored to reproduce in that of Martha Deane.
Public-domain text, read in full here on John Shaqi.
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