Sally Fairthorn, we must confess, was not in the habit of reading much.
Her education had been limited. She had ciphered as far as Compound
Interest, read Murray's “Sequel,” and Goldsmith's “Rome,” and could
write a fair letter, without misspelling many words; but very few other
girls in the neighborhood possessed greater accomplishments than these,
and none of them felt, or even thought of, their deficiencies. There
were no “missions” in those days; it was fifty or sixty years before
the formation of the “Kennett Psychological Society,” and “Pamela,”
“Rasselas,” and “Joseph Andrews,” were lent and borrowed, as at present
“Consuelo,” Buckle, Ruskin, and “Enoch Arden.”
One single work of art had Sally created, and it now hung, stately in
a frame of curled maple, in the chilly parlor. It was a sampler,
containing the alphabet, both large and small, the names and dates of
birth of both her parents, a harp and willow-tree, the twigs whereof
were represented by parallel rows of “herring-bone” stitch, a sharp
zigzag spray of rose-buds, and the following stanza, placed directly
underneath the harp and willow:--
“By Babel's streams we Sat and Wept
When Zion we thought on;
For Grief thereof, we Hang our Harp
The Willow Tree upon.”
Across the bottom of the sampler was embroidered the inscription: “Done
by Sarah Ann Fairthorn, May, 1792, in the 16th year of her age.”
While Sally went up-stairs to her room, to put her hair into order, and
tie a finer apron over her cloth gown, Miss Betsy Lavender was made the
victim of a most painful experience.
Joe and Jake, who had been dodging around the house, half-coaxing and
half-teasing the ancient maiden whom they both plagued and liked, had
not been heard or seen for a while. Miss Betsy was knitting by the front
window, waiting for Sally, when the door was hastily thrown open, and
Joe appeared, panting, scared, and with an expression of horror upon his
face.
“Oh, Miss Betsy!” was his breathless exclamation, “Jake! the
cherry-tree!”
Dropping her work upon the floor, Miss Lavender hurried out of the
house, with beating heart and trembling limbs, following Joe, who ran
towards the field above the barn, where, near the fence, there stood a
large and lofty cherry-tree. As she reached the fence she beheld Jake,
lying motionless on his back, on the brown grass.
“The Lord have mercy!” she cried; her knees gave way, and she sank upon
the ground in an angular heap. When, with a desperate groan, she lifted
her head and looked through the lower rails, Jake was not to be seen.
With a swift, convulsive effort she rose to her feet, just in time to
catch a glimpse of the two young scamps whirling over the farther fence
into the wood below.
She walked unsteadily back to the house. “It's given me such a turn,”
she said to Sally, after describing the trick, “that I dunno when I'll
get over it.”
Public-domain text, read in full here on John Shaqi.
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