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Transcriber's note:
Inconsistent hyphenation and spelling in the original document have
been preserved. Obvious typographical errors have been corrected.
Words printed in italics in the original document are represented|
here between underscores, as in _text_;
THE STORY
OF LOUIE
BY
OLIVER ONIONS
Author of "In Accordance With the Evidence,"
"The Debit Account," etc.
GEORGE H. DORAN COMPANY
NEW YORK
_Publishers in America for Hodder & Stoughton_
TO
GWLADYS
CONTENTS
PAGE
PROLOGUE 9
PART ONE
RAINHAM PARVA 25
PART TWO
SUTHERLAND PLACE 109
PART THREE
MORTLAKE ROAD 175
PART FOUR
PILLAR TO POST 213
PART FIVE
THE CONSOLIDATION 259
ENVOI 356
PROLOGUE
I
In an old number of _Punch_, under the heading "Society's New Pet: The
Artist's Model," is to be found a drawing by Du Maurier, of which the
descriptive text runs:
"And how did you and Mr. Sopley come to quarrel, dear Miss
Dragon?"
"Well, your Grace, it was like this: I was sitting to him in a
cestus for 'The Judgment of Paris,' when someone called as wished
to see him most particular; so he said: 'Don't move, Miss Dragon,
or you'll disturb the cestus.' 'Very good, sir,' I said, and off
he went; and when he come back in an hour and a 'alf or so he
said: 'You've moved, Miss Dragon!' 'I 'aven't!' I said. 'You
'_ave_!' he said. 'I 'AVEN'T!' I said--and no more I 'adn't, your
Grace. And with that I off with his cestus an' wished him
good-morning, an' I never been near him since!"
Du Maurier may or may not have been wrong about the newness of this
craze of "Society's." If he was right, the Honourable Emily
Scarisbrick becomes at once a pioneer. Let there be set down, here in
the beginning, the plain facts of how, a good ten years before the
indignant Miss Dragon "offed with" Mr. Sopley's cestus, the Honourable
Emily found a way to bridge the gulf that lies between Bohemia and
Mayfair.
Public-domain text, read in full here on John Shaqi.
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