Was it strange that already, as she dressed in Billy's studio, she
knew that she would never dress in an artist's studio again, and made
of her fastening of hooks and strings a grave little
ceremonial?--(There! With that fastening yet another chapter was
closed; oh, trust her, there should be no reopening of it!)--Or that
she should have a little shiver, at the thought that he might not have
come? Suppose he had knocked at the door, and Billy had cried:
"Half-a-moment--slide, Louie--come in!" Suppose--but the tremor
passed. She had always known he would come; she had known it just as
she had known everything else about him. Again every fibre of her was
joyous. She was here on the earth--she, Louie Causton, daughter of a
pugilist and of a Scarisbrick, gardener, typist, artists' model, and
all else she might ever be--that she might know all about this man. To
have ever doubted it would have been not to deserve him. And here he
was, in the same room with her--he, beyond the screen, she behind
it--only the two of them, for Billy had gone down to the tap to wash
his brushes.
_Now_ what should she do?
No, she would not go out and join him; not as she now was; not a skirt
and blouse, after that fairness. Nor yet would she speak. Surely it
was for him to speak now! She had been speaking to him, singing to
him, all music to his eyes; there does come a point (she told herself)
when the woman ceases to do everything; he must speak now. She knew he
would speak. So she stood, upright, close to the screen, waiting.
He did speak, and like smoke another flock of fancies fled for ever.
They were the fancies in which she had tried to remember his voice. It
came, henceforth unforgettable, pure rest after her strivings. He too
seemed to be near the screen; only a screen between them; but the
phrases that were breaking their long silence were merely automatic.
He was saying something about seeing her presently; she heard him
pronounce the word "Piccadilly," and the most familiar image of
Piccadilly sprang up in her mind. "Swan and Edgar's," she was
whispering back over the screen.
"No, no." This came quickly, protestingly.
"At half-past ten," she whispered.
"Yes."
Then the dialogue was at an end. Billy had returned. Some moments
later she heard more words, a laugh, and the closing of a door. She
realised that he had gone.
Only then did she come out from behind the screen.
Billy was wriggling into his overcoat and muttering something about
being late. "Got to go and keep that chap's wife company," he said.
"Regular little Philistine, she is; I suppose that's why I go; can't
stand these blessed artists. I say, he'd no idea I'd a model, you
know--sorry."
"All right, Billy," said Louie demurely.... "Sorry!" So was not she!
"And I say, I'm afraid I shall have to pay you next time. I'm cleaned
out."
"It doesn't matter. Send me a steak in as you go out; I'll have my
dinner here."
Public-domain text, read in full here on John Shaqi.
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