After the Grand Palace of the Knights, described in the last chapter, the next place of interest to a stranger in Malta is the church of St. John, which stands upon an open square, shaded by graceful trees, opposite the head of the Strada Santa Lucia. It is a little over three centuries old, having been built by the order about the year 1576, at great cost. The members of the fraternity vied with each other in its elaborate adornment, and lavished untold sums of gold for this purpose. Robbery upon the high seas, predatory invasions of unprotected coast towns, and the sale into slavery of the captives--men, women, and children--whom they thus got possession of, served to keep the purses of the Knights full, and enabled them to indulge their wildest fancy to its full extent. Perhaps the expenditure of their ill-gotten wealth in this direction was the least harmful of all the ways in which it was squandered. The piratical manner in which they procured the means for the costly adornment of the church of St. John did not militate against the acceptability of the same, on the part of the priesthood immediately attached to the cathedral. What a satire upon the "holy" character of this Romish temple, this church of St. John! "The church," says Goethe, "has a good stomach; has never known a surfeit; the church alone can digest such ill-gotten wealth." In Mexico, Sicily, and Spain the banditti go to the priests when contemplating murderous crimes, and pay to be shrived of their sins before committing them, promising also to hand over to the church treasury a liberal portion of the proceeds of their robberies! But let us return to our description of this marvelously decorated church of Valletta. Below the cross which forms the apex of the front is a statue of the Saviour, a masterpiece of art from the hand of Algardi, a famous Bolognese sculptor. There are two heavy square towers, containing numerous bells, whose metallic tongues are perfectly deafening on all festal occasions, giving utterance at early morning hours, intended by nature for sleep, and continuing all day long, the dread of unaccustomed ears. They are not rung in the manner commonly adopted elsewhere, and after what would seem to be the most legitimate fashion, but are beaten with a hammer, in the stout hands of a native islander. In Japan they ring their ponderous, low-hung bells, placed in front of the temples, with a battering-ram of timber, driven by many hands, which, though it sounds like veritable thunder, is no more malicious than the Maltese sledge-hammer method.