In that particular nook of old Asia Minor, stood a high mound covered with grainfields. According to tradition it had been the home of Priamus the king of Troy. Schliemann, whose enthusiasm was somewhat greater than his knowledge, wasted no time in preliminary explorations. At once he began to dig. And he dug with such zeal and such speed that his trench went straight through the heart of the city for which he was looking and carried him to the ruins of another buried town which was at least a thousand years older than the Troy of which Homer had written. Then something very interesting occurred. If Schliemann had found a few polished stone hammers and perhaps a few pieces of crude pottery, no one would have been surprised. Instead of discovering such objects, which people had generally associated with the prehistoric men who had lived in these regions before the coming of the Greeks, Schliemann found beautiful statuettes and very costly jewelry and ornamented vases of a pattern that was unknown to the Greeks. He ventured the suggestion that fully ten centuries before the great Trojan war, the coast of the AEgean had been inhabited by a mysterious race of men who in many ways had been the superiors of the wild Greek tribes who had invaded their country and had destroyed their civilisation or absorbed it until it had lost all trace of originality. And this proved to be the case. In the late seventies of the last century, Schliemann visited the ruins of Mycenae, ruins which were so old that Roman guide-books marvelled at their antiquity. There again, beneath the flat slabs of stone of a small round enclosure, Schliemann stumbled upon a wonderful treasure-trove, which had been left behind by those mysterious people who had covered the Greek coast with their cities and who had built walls, so big and so heavy and so strong, that the Greeks called them the work of the Titans, those god-like giants who in very olden days had used to play ball with mountain peaks. A very careful study of these many relics has done away with some of the romantic features of the story. The makers of these early works of art and the builders of these strong fortresses were no sorcerers, but simple sailors and traders. They had lived in Crete, and on the many small islands of the AEgean Sea. They had been hardy mariners and they had turned the AEgean into a center of commerce for the exchange of goods between the highly civilised east and the slowly developing wilderness of the European mainland.