The highest thing one can do in literature is to succeed in saying that thing which one meant to say. There is nothing better than that--to make the world see your thoughts as you see them. Eugene Field and Edgar Allan Poe and Robert Louis Stevenson and Charles Dickens, among others, have succeeded in doing this. They impress the world with a sense of their courage and realness. There are people who have written books which did not impress the world in this way, but which nevertheless came out of the feeling and fullness of zealous hearts. Always I think of that pathetic, artless little old-fashioned thing, “Jane Eyre,” as a picture shown to a world seeing with distorted vision. Charlotte Bronté meant one thing when she wrote the book, and the world after a time suddenly understood a quite different thing, and heaped praise and applause upon her therefor. When I read the book I was not quite able to see just what the message was that the Bronté intended to send out. But I saw that there was a message--of bravery, perhaps, or of that good which may come out of Nazareth. But the world that praised and applauded and gave her money seems totally to have missed it. It takes centuries of tears and piety and mourning to move this world a tiny bit. But still it will give you praise and applause and money if you will prostitute your sensibilities and emotions for the gratification of it. I have no message to hide in a book and send out. I am writing a Portrayal. But a Portrayal is also a thing that may be misunderstood. January 30. An idle brain is the Devil’s workshop, they say. It is an absurdly incongruous statement. If the Devil is at work in a brain it certainly is not idle. And when one considers how brilliant a personage the Devil is, and what very fine work he turns out, it becomes an open question whether he would have the slightest use for most of the idle brains that cumber the earth. But, after all, the Devil is so clever that he could produce unexcelled workmanship with even the poorest tools. My brain is one kind of devil’s workshop, and it is as incessantly hard-worked and always-busy a one as you could imagine. It is a devil’s workshop, indeed, only I do the work myself. But there is a mental telegraphy between the Devil and me, which accounts for the fact that many of my ideas are so wonderfully groomed and perfumed and colored. I take no credit to myself for this, though, as I say, I do the work myself. I try always to give the Devil his due--and particularly in this Portrayal. There are very few who give the Devil his due in this world of hypocrites.