The Liebe school had been attended only by children of good families,
while in the Schmidt school a Count Waldersee and Hoym, the son of a
capmaker and dealer in eatables, sat together on the same bench. The
most diverse tendencies were represented, and all sorts of satirical
songs and lampoons found their way to us. Such parodies as this in the
Song of Prussia we could understand very well:
"I am a Prussian, my colours you know,
From darkness to light they boldly go;
But that for Freedom my fathers died,
Is a fact which I have not yet descried."
Nor did more delicate allusions escape us; for who had not heard, for
instance, of the Friends of Light, who played a part among the Berlin
liberals? To whose ears had not come some longing cry for freedom, and
especially freedom of the press?
And though that ever-recurring word Pressfreiheit (freedom of the press)
was altered by the wags for us boys into Fressfreiheit (liberty to stuff
yourself); though, too, it was condemned in conservative circles as a
dangerous demand, threatening the peace of the family and opening the
door to unbridled license among writers for the papers, still we had
heard the other side of the question; that the right freely to express
an opinion belonged to every citizen, and that only through the power
of free speech could the way be cleared for a better condition of things.
In short, there was no catchword of that stormy period which we ten and
twelve-year-old boys could not have interpreted at least superficially.
To me it seemed a fine thing to be able to say what one thought right,
still I could not understand why such great importance should be
attributed to freedom of the press. The father of our friend Bardua was
entitled a counsellor of the Supreme Court, but then he had also filled
the office of a censor, and what a nice, bright boy his son was!
Among our comrades was also the son of Prof. Hengstenberg, who was the
head of the pietists and Protestant zealots, whom we had heard mentioned
as the darkest of all obscurants, and his influence over the king
execrated. By the central flight of steps at the little terrace in front
of the royal palace stood the fine statues of the horse-tamers, and the
steps were called Hengstenberg (Hengste, horses, and Berg, mountain).
And this name was explained by the circumstance that whoever would
approach the king must do so by the way of "Hengstenberg."
We knew that quip, too, and yet the son of this mischievous enemy of
progress was a particularly fine, bright boy, whom we all liked, and
whose father, when I saw him, astonished me, for he was a kindly man
and could laugh as cheerfully as anybody.
Public-domain text, read in full here on John Shaqi.
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