The episode had a deadening effect on Helen Keller and on Miss Sullivan, who feared that she had allowed the habit of imitation, which has in truth made Miss Keller a writer, to go too far. Even to-day, when Miss Keller strikes off a fine phrase, Miss Sullivan says in humorous despair, "I wonder where she got that?" But she knows now, since she has studied with her pupil in college the problems of composition, under the wise advice of Mr. Charles T. Copeland, that the style of every writer and indeed, of every human being, illiterate or cultivated, is a composite reminiscence of all that he has read and heard. Of the sources of his vocabulary he is, for the most part, as unaware as he is of the moment when he ate the food which makes a bit of his thumbnail. With most of us the contributions from different sources are blended, crossed and confused. A child with but few sources may keep distinct what he draws from each. In this case Helen Keller held almost intact in her mind, unmixed with other ideas, the words of a story which at the time it was read to her she did not fully understand. The importance of this cannot be overestimated. It shows how the child-mind gathers into itself words it has heard, and how they lurk there ready to come out when the key that releases the spring is touched. The reason that we do not observe this process in ordinary children is, because we seldom observe them at all, and because they are fed from so many sources that the memories are confused and mutually destructive. The story of "The Frost King" did not, however, come from Helen Keller's mind intact, but had taken to itself the mould of the child's temperament and had drawn on a vocabulary that to some extent had been supplied in other ways. The style of her version is in some respects even better than the style of Miss Canby's story. It has the imaginative credulity of a primitive folktale; whereas Miss Canby's story is evidently told for children by an older person, who adopts the manner of a fairy tale and cannot conceal the mature mood which allows such didactic phrases as "Jack Frost as he is sometimes called," "Noon, at which time Mr. Sun is strongest." Most people will feel the superior imaginative quality of Helen Keller's opening paragraph. Surely the writer must become as a little child to see things like that. "Twelve soldierly-looking white bears" is a stroke of genius, and there is beauty of rhythm throughout the child's narrative. It is original in the same way that a poet's version of an old story is original. This little story calls into life all the questions of language and the philosophy of style. Some conclusions may be briefly suggested. All use of language is imitative, and one's style is made up of all other styles that one has met.