The Story of My Life: With her letters (1887-1901) and a supplementary account of her education, including passages from the reports and letters of her teacher, Anne Mansfield Sullivan, by John Albert MacyKeller, Helen
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The Story of My Life: With her letters (1887-1901) and a supplementary account of her education, including passages from the reports and letters of her teacher, Anne Mansfield Sullivan, by John Albert Macy
Keller, Helen
Deafblind women -- United States -- Biography; Keller, Helen, 1880-1968
The way to write good English is to read it and hear it. Thus it is that
any child may be taught to use correct English by not being allowed to
read or hear any other kind. In a child, the selection of the better
from the worse is not conscious; he is the servant of his word
experience.
The ordinary man will never be rid of the fallacy that words obey
thought, that one thinks first and phrases afterward. There must first,
it is true, be the intention, the desire to utter something, but the
idea does not often become specific, does not take shape until it is
phrased; certainly an idea is a different thing by virtue of being
phrased. Words often make the thought, and the master of words will say
things greater than are in him. A remarkable example is a paragraph from
Miss Keller's sketch in the Youth's Companion. Writing of the moment
when she learned that everything has a name, she says: "We met the nurse
carrying my little cousin; and teacher spelled 'baby.' AND FOR THE FIRST
TIME I was impressed with the smallness and helplessness of a little
baby, and mingled with the thought there was another one of myself, and
I was glad I was myself, and not a baby." It was a word that created
these thoughts in her mind. So the master of words is master of thoughts
which the words create, and says things greater than he could otherwise
know. Helen Keller writing "The Frost King" was building better than she
knew and saying more than she meant.
Whoever makes a sentence of words utters not his wisdom, but the wisdom
of the race whose life is in the words, though they have never been
so grouped before. The man who can write stories thinks of stories to
write. The medium calls forth the thing it conveys, and the greater the
medium the deeper the thoughts.
The educated man is the man whose expression is educated. The substance
of thought is language, and language is the one thing to teach the deaf
child and every other child. Let him get language and he gets the very
stuff that language is made of, the thought and the experience of his
race. The language must be one used by a nation, not an artificial
thing. Volapük is a paradox, unless one has French or English or German
or some other language that has grown up in a nation. The deaf child who
has only the sign language of De l'Epee is an intellectual Philip Nolan,
an alien from all races, and his thoughts are not the thoughts of an
Englishman, or a Frenchman, or a Spaniard. The Lord's prayer in signs is
not the Lord's prayer in English.
In his essay on style De Quincey says that the best English is to be
found in the letters of the cultivated gentlewoman, because she has
read only a few good books and has not been corrupted by the style of
newspapers and the jargon of street, market-place, and assembly hall.
Public-domain text, read in full here on John Shaqi.
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