Perhaps her husband realized her fatigue and depression and was willing
to put his French accent on parade for her amusement; perhaps it was for
the sake of the old flouting retort; he theatrically rejoined without
looking up, "_Partons pour la France aujourd'hui, pour l'amour de
Dieu._"
And Josephine, taking the cat out of its basket and kissing its whiskers
and the top of its head, was condoling with it on its long
restraint:--"_Quelle barbarie, ma poupée, quelle barbarie, ma douce
mignonne,_" she poutingly babbled.
Alexander MacLeod paused to listen to this affectionate motherly
discourse; then glanced up at his wife with a smile, to call her
attention to it.
She had not moved. She had turned to stone. It seemed as if she could
never move again. A waving blotch of red sumach leaves in a niche in the
dark wall of the crag hard by had caught her notice. A waving blotch of
red leaves in the autumnal dusk,--what more natural?
What more wonderful? What more fearful?
There was no wind. How could the bough stir? There was no bough. The
blotch of color was the red and black of a hideous painted face that in
the dusk, the treacherous dusk, had approached very near and struck her
dumb and turned her to stone. It had approached so near that she could
see its expression change as the sound of the words spoken about the
fireside arose on the air. Her mental faculties were rallying from the
torpor which still paralyzed her physical being; she understood the
reason for this facial change, and by a mighty effort of the will
summoned all her powers to avail herself of it.
Alexander MacLeod, glancing up with a casual laugh on his face, was
almost stunned to see a full-armed and painted Cherokee rise up suddenly
from among the bushes about the foot of the cliff. Standing distinctly
outlined against the softly tinted mountain landscape, which was
opalescent in its illumined hues, faint and fading, and extending his
hand with a motion of inquiry toward Odalie, the savage demanded in a
lordly tone,--"Flinch? Flanzy?"
As in a dream MacLeod beheld her, nodding her head in silent
acquiescence,--as easily as she might were she humming a tune and hardly
cared to desist from melody for words. She could not speak!
The Cherokee, his face smeared with vermilion, with a great white circle
around one eye and a great black circle around the other, looked not
ill-pleased, yet baffled for a moment. "Me no talk him," he observed.
[Illustration: "What more wonderful? What more fearful?"]
He had never heard of Babel, poor soul, but he was as subject to the
inconvenience of the confusion of tongues as if he had had an active
share in the sacrilegious industry of those ambitious architects who
builded in the plains of Shinar.
"But I can speak English too," said Odalie.
Public-domain text, read in full here on John Shaqi.
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